If you don't consider "cute" a derogatory term, this movie will offer an agreeable diversion. -Jeff Shannon.

The former is unhappy at home and work, while the latter is unscrupulous and underhand, and happy to pass off one of Griffith's good ideas as her own. Yet when Weaver's character is incapacitated, in steps Griffith, who quickly attracts the professional and personal attention of Ford, as she attempts to navigate her way to the top-until Weaver reappears on the scene… In lesser hands, all this could become routine Hollywood nonsense, yet here it really clicks. All three leads are in fine form, with a strong supporting cast and a delicious script to fall back on. Elements have certainly dated, and the world in many ways has moved on, yet there's still plenty of room in it for films as good as this one. -Jon Foster Desperately Seeking Susan - This likeable, feminist screwball comedy about several incidents of mistaken identity is remembered more as the film that made Madonna a movie star. She's flip, hip and energetic as Susan, the wild tramp with whom bored, suburban New Jersey housewife Roberta Glass (Rosanna Arquette) becomes obsessed after reading of her sexual conquests in the personal ads. Of course, since Madonna essentially played herself, the role's hardly a stretch. Director Susan Seidelmen presents a series of zany incidents too complicated to recount, but the result is that Roberta swaps lifestyles with her fixation to explore New Wave culture on New York's Lower East Side. Susan is a fairy tale romantic comedy, and eventually becomes as conventional as the suburban characters it mocks by settling conflicts with predictable Hollywood formulae. Still, there's much to be enjoyed. The film's at its funniest when juxtaposing New York hip and New Jersey suburbia, like when Arquette's straight, suit-and-tie husband dances with Madonna in a punk club. The performances, too, are engaging, especially Arquette and Aidan Quinn, playing a romantic film projectionist who becomes her grubby Prince Charming. -Dave McCoy, Amazon. com -This text refers to the VHS edition of this video The original screenplay of Moonstruck, by John Patrick Shanley (Joe Versus the Volcano), is a wonderful, gently satirical tale of an Italian-American family dealing with repression and dissatisfaction against a backdrop of cultural expectations. Cher is focused and funny as a widow who feels she should marry an older fellow (Danny Aiello), but then falls for his black-sheep brother (Nicolas Cage). Olympia Dukakis and Vincent Gardenia are perfect as her parents, and John Mahoney (of TV's Frasier) has a memorable, small role as a middle-aged man on the make who gets a lecture from Dukakis's character. Shanley's dialogue is comically stylised in a way that makes one appreciate how much words can inform an actor's performance. Taking its cues from him and director Norman Jewison (And Justice for All), the cast immerse themselves in a pool of hilariously operatic emotion. -Tom KeoghIn 1984 Romancing the Stone was a huge hit for director Robert Zemeckis (who later went on to make Forrest Gump, Contact and Castaway among others) thanks in no small part to the winning team of Michael Douglas, Kathleen Turner, and Danny DeVito. The chemistry between all three stars is infectious, but Turner steals the show from the guys, playing a pushy romance novelist who gets stuck among some dangerous figures in Colombia and has only a rumpled guide (Michael Douglas) as an ally. Zemeckis-whose specialty at the time was creating set pieces of raucous action (as in his Back to the Future trilogy)-keeps things hopping with lots of kinetic material. -Tom Keogh, Amazon. com.