An ultracreepy blend of horror and fantasy (think of it as Beauty and the Bugs) from Mexican director Guillermo del Toro (Cronos) about giant cockroaches in the subway tunnels beneath Manhattan. Like its DNA-altered spawn (the title refers to the way some insects evolve to resemble their predators), Mimic is not your everyday bug picture, but a more poetic (though quite gruesome) sort of film, literally crawling with bizarre, striking images. In this case, the mutant bugs are not the result of evil atomic experiments (as in Them!), but are the unexpected side effect of work done by an entomologist (Mira Sorvino) and her Centre for Disease Control officer husband (Jeremy Northam), who, in a last-ditch effort to control a roach-carried disease epidemic that was killing children, released a genetically altered form of sterile cockroaches beneath the city. They stopped the virus, but. Also starring Charles Dutton, Giancarlo Giannini, F. Murray Abraham, and Josh Brolin. -Jim Emerson.

The Thing from Another World With its modest special effects, lean plot, and small cast of lesser stars, this 1951 thriller remains a sturdy blueprint for fusing horror and science fiction. The formula has been employed countless times since, fleshed out with more extensive and elaborate production values, and manned by higher profiled marquee names, but the results have yet to improve on The Thing from Another World, Howard Hawks's lone foray into sci-fi. The story begins as military airmen are dispatched to a remote Arctic research station where scientists have detected the crash of a spacecraft. An effort to retrieve the saucer-shaped vehicle fails, but the team returns to the station with the frozen body of its sole occupant. When the extraterrestrial pilot is accidentally thawed, the crew, headed by a tough-talking pilot (Kenneth Tobey), grapples with a massive, chlorophyll-based humanoid (James Arness) thirsty for blood and in no mood for galactic diplomacy. Hawks takes only a production credit for this low-budget exercise, but his filmmaking style transcends Christian Nyby's nominal direction: rapid-fire, overlapping dialogue, an ensemble of comrades whose professionalism is tempered by wisecracks, and unsentimental female characters (embodied by feisty romantic interest Margaret Sheridan) recall Hawks's signature works, while propelling the plot over any potential gaps in credibility. It's hardly surprising, then, that The Thing from Another World remains among the most influential science fiction movies ever shot, or that it remains exciting entertainment a half century later. -Sam Sutherland The Thing Director John Carpenter and special makeup effects master Rob Bottin teamed up for this 1982 remake of the 1951 science fiction classic The Thing from Another World, and the result is a mixed blessing. It's got moments of highly effective terror and spine-tingling suspense, but it's mostly a showcase for some of the goriest and most horrifically grotesque makeup effects ever created for a movie. With such highlights as a dog that splits open and blossoms into something indescribably gruesome, this is the kind of movie for die-hard horror fans and anyone who slows down to stare at fatal traffic accidents. [+]

The Ring 2 sequel further complicates the urban myth of the original tale, adding a chilling back-story concerning the origins of Sadako, the long-haired, bug-eyed living dead girl who chills her victims like a video nasty. Shell-shocked by the sudden death of her boyfriend, Koichi, Mai Takano takes it upon herself to investigate the sinister videotape that purportedly kills those who watch it after exactly one week. But the police also want to question Takano concerning her proximity to another death, that of Koichi's former father-in-law, and the disappearance of his ex-wife, Reiko, the journalist who began investigating the video tape curse. Plagued by premonitions and visions, hounded by the police, Takano stumbles upon Yoichi, Reiko's son, who after viewing the videotape has acquired strange supernatural powers. Although now mute, Takano seems able to communicate with him and wins the frightened boy's confidence in order to involve him in scientific experiments carried out by Dr Ikuma, the aims of which are to break the curse of Sadako once and for all. Director Nakata stays true to the tone of his original, tightening the plot like a piano wire around the audience, and priming them for the inevitable next episode in the series. -Chris Campion.