Halloween III: Season of the Witch was producer John Carpenter's attempt to get the series away from the original psycho-on-the-loose storyline and turn it into a vehicle for more far-fetched Halloween-themed horror tales. Incredibly, the fans voted for more of the same and Carpenter walked away for others to rehash the Michael Myers plotline in a succession of lookalike movies that are still turning up every few years. Though original screenwriter Nigel Kneale (of the Quatermass series and The Stone Tape) removed his name from the final film after a coarsening rewrite by director Tommy Lee Wallace, his strange touch is evident in the offbeat story. After the mysterious deaths of a toyshop owner, a doctor (Tom Atkins) and the man's daughter (Stacy Nelkin), an investigation takes place in the Irish-dominated Northern California community of Santa Mira, a company town owned by the Silver Shamrock Novelty corporation, whose bestselling Halloween masks are pushed by an amazingly irritating TV jingle you won't ever be able to get out of your head ("Two more days to Halloween, Halloween, Halloween"). Atkins and Nelkin are typical low-rent horror movie protagonists, dim-bulbs who discover an Invasion of the Body Snatchers-style conspiracy involving sharp-suited corporate robots. But guest star Dan O'Herlihy steals the film as a Celtic joke tycoon ("the man who invented sticky toilet paper and the dead dwarf gag") who hates the way American kids are despoiling the religious spirit of Samhain and decides to teach them a nasty lesson. His scheme, which involves a stolen Stonehenge megalith ("sure, you'd never believe how we did it") and a techno-magic spell that turns the heads of TV watchers into writhing masses of snakes and insects, is value for money. O'Herlihy mixes enough serious malice into the charm to come across as a great screen baddie. On the DVD: Halloween III: Season of the Witch is a disappointment on disc. After letterboxed titles, this defaults to full frame throughout, severely cramping Dean Cundey's Panavision cinematography, and it's a grainy, indifferent print that ill-serves the performances or the atmospherics. [+]

Inspired by Chris Marker's acclaimed short film La Jetée, 12 Monkeys combines intricate, intelligent storytelling with the uniquely imaginative vision of director Terry Gilliam. The story opens in the wintry wasteland of the year 2035, where a virulent plague has forced humans to live in a squalid, oppressively regimented underground. Bruce Willis plays a societal outcast who is given the opportunity to erase his criminal record by "volunteering" to time-travel into the past to obtain a pure sample of the deadly virus that will help future scientists to develop a cure. But in bouncing from 1918 to the early and mid-1990s, he undergoes an ordeal that forces him to question his own perceptions of reality. Caught between the dangers of the past and the devastation of the future, he encounters a psychiatrist (Madeleine Stowe) who is initially convinced he's insane, and a wacky mental patient (Brad Pitt in a twitchy Oscar-nominated role) with links to a radical group that may have unleashed the deadly virus. Equal parts mystery, tragedy, psychological thriller, and apocalyptic drama, 12 Monkeys ranks as one of the best science fiction films of the 1990s, boosted by Gilliam's visual ingenuity and one of the finest performances of Willis's career. -Jeff Shannon.

One of the very best Stephen King film adaptations, The Dead Zone is imbued with an ever-present atmosphere of dread. Shot in a permanently wintry Canada (standing in for New England), the icy backdrops are subtly employed by director David Cronenberg to accentuate the story's fatalistic tone. Cronenberg's welcome emphasis for the most part on psychological terror over physical shocks (something of a change of direction for him after The Brood and Scanners) is further enhanced by composer Michael Kamen's marvellously chilly music score and Christopher Walken's understated yet dominating central performance as high school teacher Johnny Smith, who wakes from a coma following a car crash to learn that he has been cursed with the gift of second sight. That his uncanny ability is indeed a curse and definitely not a blessing is made abundantly clear: even when Johnny is able to save people's lives, there is always a price to pay. The cosmic law of Karma is grimly unforgiving. Herbert Lom, as Johnny's sympathetic doctor, sums up the character's plight, "Some things just weren't meant to be. " And even when Johnny learns the terrible secret of future Presidential candidate Greg Stillson (a villainous Martin Sheen), he knows he cannot act without accepting the fatal consequences. Brooke Adams, as the love of Johnny's life, and Tom Skerrit, as the quietly desperate sheriff on the trail of a serial killer, are excellent in support. On the DVD: this disc comes with a chunky accompanying booklet with background notes on the film, cast and director, as well as a script excerpt for the originally planned pre-credits sequence (in the finished film we assume Johnny's second sight is a result of the car accident-this earlier screenplay follows the book more closely). The movie itself-which features the "scissor-suicide" scene uncut-is accompanied by a chatty and informative commentary from film critics Stephen Jones and Kim Newman (a regular Amazon. [+]

Heavy on atmosphere and light on everything else, From Hell is visually impressive while lacking the depth of the acclaimed graphic novel it's based upon. Making their third feature since 1993's Menace II Society, twins Allen and Albert Hughes approach the Jack the Ripper case with physical precision, re-creating the gritty Whitechapel district of 1888 London in meticulous detail. What they've forgotten is the sheer terror that gripped Whitechapel in the wake of the Ripper's slaying of five prostitutes, investigated here by a Scotland Yard sleuth (Johnny Depp) who uses opium, laudanum and absinthe to fuel his semi-prescient visions of the slayings. Heather Graham attempts a slippery Cockney accent as a would-be victim, while Ian Holm steals the show as a has-been surgeon with devilish delusions of grandeur. Violence is obliquely suggested or briefly graphic, but no matter how you cut it, From Hell is only marginally thrilling as it treads familiar territory. -Jeff Shannon On the DVD: From Hell on disc is presented in widescreen 16:9 glory with atmospheric DTS or Dolby Digital 5. 1 sound options. The animated menus look nice but are more than a little confusing. The 23 deleted scenes, including an alternative ending, are all offered in black and white with commentary and justification for the cuts by Albert Hughes. Film commentary is offered by Albert Hughes, screen writer Rafael Yglesias, cinematographer Peter Deming and Robbie Coltraine. [+]

A box office failure at the time, John Boorman's 1974 cult science fiction film Zardoz is an entrancing if overly ambitious project that offers pointed commentary on class structure and religion inside its complex plot and head-movie visuals. Its healthy doses of sex and violence will involve viewers even if the story machinations escape them. Beautifully photographed near Boorman's home in Ireland's Wicklow Mountains by Geoffrey Unsworth (2001), its production design is courtesy of longtime Boorman associate Anthony Pratt, who creates a believable society within the film's million-dollar budget. A bewigged Sean Connery is Zed, a savage "exterminator" commanded by the mysterious god Zardoz to eliminate Brutals, survivors of an unspecified worldwide catastrophe. Zed stows away inside Zardoz's enormous idol (a flying stone head) and is taken to the pastoral land of the Eternals, a matriarchal, quasi-medieval society that has achieved psychic abilities as well as immortality. Zed finds as much hope as disgust with the Eternals; their advancements have also robbed them of physical passion, turning their existence into a living death. Zed becomes the Eternals' unlikely messiah, but in order to save them-and himself-he must confront the truth behind Zardoz and his own identity inside the Tabernacle, the Eternals' omnipresent master computer. -Paul Gaita.