OK, all you Trekkers who have been resisting the Star Trek: Fan Collective series on principle because it's an inexpensive repackaging of the episodes you already have on DVD. Captain's Log, the fifth in the series, raises the bar, not just by including a fifth disc, but by providing a host of brand-new content. As usual, fans selected the initial 10 episodes-two per series-but each "captain"-William Shatner, James T. Kirk of the Original Series; Patrick Stewart, Jean-Luc Picard of The Next Generation; Avery Brooks, Benjamin Sisko of Deep Space Nine; Kate Mulgrew, Kathryn Janeway of Voyager; and Scott Bakula, Jeffery Archer of Enterprise-picked a third episode as a personal favourite. Each captain then introduces the selected episode in about a one-minute segment (the exception is Shatner, who dishes for 12 minutes about "The City on the Edge of Forever," joined partway through by co-star Joan Collins), and in most cases, introduces the fan-selected ones as well. Finally, each captain is interviewed in a series of featurettes (some with common themes, such as "The Importance of the Captain's Log," "What Makes a Good Captain," or the character's legacy or future) lasting 8 to 12 minutes total. (Brooks' segments don't follow the themes and appear to be recorded a while back. ) And thankfully, of all the episodes in the set-"The City on the Edge of Forever," "The Enterprise Incident," and "Balance of Terror" from the Original Series; "In Theory," "Chain of Command," and "Darmok" from The Next Generation; "Far Beyond the Stars," "What You Leave Behind" parts 1 and 2, and "In the Pale Moonlight" from Deep Space Nine; "Counterpoint," "The Omega Directive," and "Flashback" from Voyager; and "Judgment," "These Are the Voyages," and "First Flight" from Enterprise-only "The City on the Edge of Forever" is repeated from a previous Fan Collective, and it's hard to complain about seeing that episode too many times. -David Horiuchi.

The third series of The League of Gentlemen takes the portmanteau horror approach of their Christmas Special and extends it daringly across the entire six episodes. Here, each half-hour instalment is a self-contained story featuring various familiar and less well-known inhabitants of Britain's most accursed town, Royston Vasey. But each individual tale leads-horribly, inevitably-towards a single shocking event, the full circumstances of which are only realised in a final, macabre twist. It's all far too bleak to be called comedy, just too damn funny to be anything else. This is a team who have always defined their own rules, nowhere more boldly than here. Opening with a funky new theme tune, the six episodes feature-among others-ex-con Pauline and Mickey in a touching tale of transvestisism; Lance the one-armed comedy shop owner yearning for a new limb; foul-tempered Geoff Tipps trying to make it as a stand-up comic in "Lundun"; some eye-popping fetishist behaviour at the local B&B; seedy goings-on in the massage parlour; and, most horrendously of all, the dreaded return of Papa Lazarou. It all proved too much for some viewers-too grotesque, too offbeat, too surreal. Packed with knowing references to obscure movies and filled with the most unpleasant characters ever to grace a "sitcom", this is certainly an uncompromising series, and one that invites fascinated speculation on what dark delights await in their upcoming movie. On the DVD: The League of Gentlemen, Series 3 two-disc set maintains the high standard of extra features established by the previous series. Here there's more raucous "Local Gossip" with the four gents on the first disc, plus a second disc of insightful background material including: a 30-minute making of documentary by Adam Buxton (of Adam and Joe); a candid video diary from Steve Pemberton; a truly dire magic tutorial from Dean Tavalouris (Reece Shearsmith); Joby Talbot's music score; an interview with costume designer Yves Barre; outtakes and deleted scenes; plus a Mike King Enterprises editing suite, enabling you to muck about with the ending sequence and ruin it completely. [+]

A gradual shift in overall style, character homecomings and departures, and evolving on and off-screen roles for the major players are among the attractions of the complete seventh season of Stargate SG-1. Spread out over five discs, these 21 episodes are ample indication that changes notwithstanding-and admittedly, not all of them are for the better-the series remains arguably the best-made, most compelling sci-fi program on television. Perhaps most noticeable is the reduced role of star Richard Dean Anderson, who opted to limit his number of trips to Vancouver, where Stargate SG-1 is filmed. But that's not a bad thing. The show's ability to poke fun at itself has always been a strong suit, and while Anderson still brings a welcome sense of humor to his portrayal of wiseacre and loose cannon Col. Jack O'Neill, his act is getting a little smug by now. What's more, the other principal cast members have taken up the slack, both behind and in front of the camera: Michael Shanks (Daniel Jackson, who rejoins the cast in episode 1) wrote one episode and co-wrote another; Christopher Judge (Teal'c) wrote one as well; Amanda Tapping (Lt. Col. Samatha Carter) directed episode 19, "Resurrection"; and even Corin Nemec (Jonas Quinn, who appears in just a few episodes) contributed one story. The seventh season also finds the series somewhat more earthbound than in the past; indeed, there are episodes in which the Stargate (the "wormhole" our heroes use to travel to different worlds) doesn't appear at all. [+]

Joe 90 was Gerry Anderson's penultimate puppet show of the 1960s, following Captain Scarlet (1968) and preceding the little-known The Secret Service (1969). In 2112 professor Ian McClaine has invented the BIG RAT (Brain Impulse Galvanoscope, Record And Transfer), a machine for copying knowledge and experiences from person to person. WIN (World Intelligence Organisation) uses this to prime their top undercover agent before sending him into the field on missions which range from foiling international terrorists to recovering a nuclear weapon from beneath the polar ice. So far so good, but in perhaps the most mind-boggling concept ever to reach children's TV, that agent is McClaine's nine-year-old adopted son, Joe. Somehow even as it stays true to the Gerry Anderson techno-fantasy formula of secret organisations, gadgetry, and action-packed adventure full of spectacular explosions and violent death, Joe 90 remains blithely unconscious of its own implications. The missions are as globe-trotting as anything in Anderson's classic Thunderbirds series, and sometimes Joe does save lives, performing a risky brain operation or rescuing trapped astronauts. Yet even then his criminally irresponsible father brainwashes the lad each episode before placing him in a highly dangerous adult situation. Though the production values remain way ahead of anything else being done on British TV at the time, the question remains how did this ever seem like a good idea? On the DVD: Joe 90 comes complete in a five-disc box set of the entire 30-episode series. Each disc contains six 25-minute episodes presented, as usual with Gerry Anderson DVDs, behind a lovingly crafted menu. As expected the 4:3 picture quality is superb and the mono sound is full, detailed and without a trace of distortion. [+]

With 17 previous screen adaptations behind it, this 2002 BBC version of The Hound of the Baskervilles might have been inhibited by the sheer weight of expectation. But in this production-marking the centenary of Arthur Conan Doyle's novel-director David Attwood rings the changes subtly and strikingly, helped by Allan Cubitt's tautly argued script and Christopher Hall's vivid production: the viewer feels the "presence" of the moors as never before. Richard Roxburgh is a thoughtful, understated Sherlock Holmes-self-absorbed yet observant of life around him. There's nothing bumbling or ineffectual about Ian Hart's Dr Watson-a resourceful thinker who, often sceptical of Holmes, complements him in human awareness. Richard E Grant dons a plausibly sociopathic manner as Stapleton, and there's a touching portrayal of his put-upon sister from Neve McIntosh. John Nettles and Geraldine James contribute sterling character parts as Dr and Mrs Mortimer, and Matt Day is a suave, not too sophisticated Sir Henry Baskerville. It adds up to a convincing rethink of a hallowed tale. On the DVD: The Hound of the Baskervilles on disc comes with a 16:9 picture that reproduces the sombre atmosphere of Baskerville Hall-shot at a variety of English locations-with real immediacy, and the Dolby Digital sound has 5. 1 surround enhancement. Subtitles are in 11 languages, with 10 scene selections-framed in a stylishly- presented main menu. [+]