For anyone who travels the congested roads of Britain these days the utterly delightful Genevieve will provoke a wistful, nostalgic sigh of regret for times gone by when there were no motorways, traffic jams were almost non-existent and friendly police motorcyclists riding classic Nortons (without helmets) cheerfully let people driving vintage cars race each other along country lanes. Even in 1953, Henry Cornelius' gentle comedy must have seemed pleasingly old-fashioned, concerned as it is with the antics of two obsessive enthusiasts on the annual London to Brighton classic car rally. The principal quartet could hardly be bettered: though John Gregson is something of a cold fish as Genevieve's proud owner, the radiant warmth of Dinah Sheridan as his long-suffering wife more than compensates. Kenneth More is ideally cast in the role of boastful rival enthusiast and Kay Kendall has possibly the best comic moment of all when she astonishes everyone with her drunken trumpet playing. Cornelius also directed Ealing's Passport to Pimlico, so his sure eye for gently mocking and celebrating British eccentricities is never in doubt. The screenplay by (American writer) William Rose now seems like an elegy to a way of life long disappeared: the pivotal moment when Gregson stops to humour a passing old buffer about his love of classic cars comes from a vanished era of politeness before road rage; as does the priceless exchange between hotel owner Joyce Grenfell and her aged resident: "No one's ever complained before", says the mystified Grenfell after Gregson and Sheridan moan about the facilities, "Are they Americans?" asks the old lady, unable to conceive that anyone British could say such things. Genevieve is both a wonderful period comedy and a nostalgic portrait of England the way it used to be. On the DVD: the "Special Edition" version of Genevieve has a decent new documentary with reminiscences from Dinah Sheridan (still radiant), the director of photography and the film's editor, who talk about the challenges of filming on location. Most treasurable of all, though, is legendary harmonica player Larry Adler, who remembers his distinctive score with much fondness and is not at all embittered by his Hollywood blacklisting, which meant he was denied an Academy Award nomination. There's also a short piece on some of the locations used (which for economic reasons were mostly in the lanes around Pinewood studios), cast biographies and a gallery of stills. [+]

Here's the pitch for Small Soldiers: "It's like Toy Story but these toys that come to life really kick butt!" That's essentially it for this breezy popcorn flick. In a very smart first 10 minutes, new toy-company owner Denis Leary tells his crew he wants toys "that play back". Hence the small soldiers land in Anytown, USA and the loner kid Alan (Gregory Smith) opens them up before they are supposed to be on the shelves. Those military-grade chips sure make them smart and give the toys plenty of pithy retorts to boot. There's plenty of violence and action, most of it fun enough. The vocal talents, including Tommy Lee Jones, Frank Langella and cast members of The Dirty Dozen are inspired characters, the humans less so. With Gremlins director Joe Dante at the helm, it plays like a sequel to that 80s fantasy. Amazing visual effects, of course. -Doug Thomas, Amazon. com.

On remote Isla Nuba entrepreneur John Hammond (Richard Attenborough) has built the ultimate theme-park, populated by genetically engineered dinosaurs painstakingly reconstructed from DNA extracted from prehistoric amber. and, of course, frogs! Adapted from Michael Crichton's novel, Steven Spielberg's classic blockbuster became a cultural and commercial phenomenon thanks in part to the enduring appeal of all things prehistoric. But the film's extraordinarily realistic digital dinosaurs also showcased the spectacular computer-generated effects which have since become ubiquitous in Hollywood filmmaking. Indeed, in the years since 1993 it is debatable whether any film has revolutionised special effects to such an extent, and this DVD release offers the perfect opportunity to relive its visual and aural splendour (the film was also the first to be released with a DTS soundtrack). Given the rather insipid team of experts (including Sam Neill, Laura Dern and Jeff Goldblum) sent to approve Hammond's site, there is no doubt that the dinosaurs are the real stars of Spielberg's film. From the benign majesty of the towering brachiosaurus to the reptilian menace of the velociraptors, the inhabitants of Jurassic Park were a radical departure from their stop-motion predecessors, and remain compellingly real in their animalistic pursuit of survival at all costs. Most memorable of all is the T-rex, displaying a spine-chilling combination of physical ferocity and child-like bewilderment in the face of its reincarnation in the modern world. It was no surprise that in The Lost World sequel the T-rex once again took centre stage, but this first appearance still retains a unique power and a seminal place in film history. [+]

This gorgeous adaptation of Lucy Maud Montgomery's classic children's story is well worth watching with the whole family. Produced for Canadian television, it's one of those rare productions that actually sticks to the book and even enhances it through first-rate performances and an excellent script. Set on bucolic Prince Edward Island in the late 19th century, Anne of Green Gables is the story of Anne Shirley, an imaginative and headstrong orphan. When brother and sister Marilla and Mathew Cuthbert decide to adopt an orphan boy to help Matthew work the farm, they are astonished when Anne arrives at the train station by mistake. "What use is she to us?" grumbles the gruff Marilla. "We might be of some use to her", answers Matthew, who has taken an instant liking to the talkative Anne. As Anne grows up, her adventures are both hilarious and moving. It's a delight to watch as she forms a friendship with the beautiful Diana and her admirer-the dashing Gilbert Blythe-then dyes her hair green, cracks a slate over Gilbert's head when he calls her "Carrots", and finds a sympathetic teacher who encourages her to attend college. Richard Farnsworth is perfect as the shy and gentle bachelor Matthew, who confides to Anne that he never went courting because "I would have had to say something". Colleen Dewhurst delivers a nuanced and powerful performance as Marilla, a seemingly cold-hearted spinster whose no-nonsense exterior conceals a warm heart. [+]

Considering how lame this sequel could have been, The Santa Clause 2 makes for a pleasant seasonal diversion. It's got the familiar smell of Disney marketeering, and more than a few parents will object to this further embellishment of the St Nick legend, but Tim Allen's amiable presence provides ample compensation. As a divorced dad who inherited the jolly man's job in The Santa Clause, Allen now faces another Yuletide challenge. According to the "Missus Clause" in his North Pole contract, he can't continue to be the real Santa until he gets married. As luck and five credited screenwriters would have it, Allen falls for the Scroogey principal (Elizabeth Mitchell) of his son's school, while a phoney, power-hungry duplicate Santa wreaks havoc on the North Pole's overworked elves. It's all as sweet as spiced eggnog, with that warmed-over feel of a mandated sequel, but the Christmas spirit does prevail with the sound of sleigh bells and Allen's rosy-cheeked "Ho, ho, ho!". -Jeff Shannon.