Review, buy Family Favourites: Dinosaur (Disney) (2000), Cars (2006 - Disney/Pixar), Penelope [2007], Meet The Robinsons [2007], The Simpsons Movie [2007], Enchanted [2007], Trumpton - The Complete Collection [1967], The Golden Compass [2007], Sleeping Beauty (50th Anniversary Deluxe Edition) [1958], The Water Horse - Legend Of The Deep [2007], 101 Dalmatians Platinum Edition [1961], National Treasure 2 - Book Of Secrets [2007], The Jungle Book : 40th Anniversary 2 Disc Special Edition [1967] [1968], High School Musical 2 - Extended Edition [2007], Ratatouille [2007], The Wizard Of Oz [1939], Transformers (2007), Alvin And The Chipmunks [2007], The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe [2005], Monsters Inc. [2002]

Dinosaurs come alive like never before in this costly computer-animated film from Disney. After a breathtaking opening (a dino egg is kidnapped), the film changes style; realistic dinosaurs are given human characteristics and voices. The kidnapped egg grows into an iguanodon named Aladar (voiced by DB Sweeney), who is raised by lemurs (shades of Tarzan) on a lush island void of other dinosaurs. When a meteorite destroys their island home in a thrilling sequence, the lemur family and Aladar become part of a dinosaur troop roaming the mainland deserts looking for the lush nesting grounds (shades of the fourth instalment of the Land Before Time series and Fantasia). Disney's use of cheeky modern slang (one lemur calls himself "a love monkey") is present, as is its typical capital-punishment narrative logic: anyone against our forward-thinking hero (or even disagreeing with him) ends up dead. Curiously, the meanies, a pair of carnotaurs following the group, are nameless and voiceless. This more realistic approach might have been a bigger wow, as in the BBC's Walking with Dinosaurs, which looked extraordinary with only a fraction of the budget. The complexity and scope of Dinosaur's visual scale is impressive, and group shots and a point-of-view angle are stunning. The film should be a favourite for the 6 to 11-year-old set. -Doug Thomas, Amazon. [+]

There's an extra coat of hot wax on Pixar's vibrant, NASCAR-influenced comedy about a world populated entirely by cars. Lightning McQueen (voiced by Owen Wilson) is the slick rookie taking the Piston Cup series by storm when the last race of the season (the film's high-octane opening) ends in a three-way tie. On the way to the tie-breaker race in California, Lightning loses his way off Route 66 in the Southwest desert and is taught to stop and smell the roses by the forgotten citizens of Radiator Springs. It's odd to have such a slim story from the whizzes of Pixar, and the film pales a bit from their other films (though can that be a fair comparison?). Nonetheless, Cars is another gleaming ride with Pixar founder John Lasseter, who's directing for the first time since Toy Story 2. There's the usual spectrum of excellent characters teamed with appropriate voice talent, loads of smooth humor for kids and parents alike, knockout visuals, and a colorful array of sidekicks, including a scene-stealing baby blue forklift named Guido. Lightning's plight is changed with the help of former big-city lawyer Sally Carrera (Pixar veteran Bonnie Hunt), the town's patriarch Doc Hudson (Paul Newman), and kooky tow truck Mater (Larry the Cable Guy). The Incredibles was the first Pixar film to break the 100-minute barrier, but had enough story not to suffer; Cars, at 116 minutes (including some must-see end credit footage), is not as fortunate, plus it never pierces the heart. Trivia fans should have bonanza with the frame-by-frame DVD function; the movie is stuffed with in-jokes, some appearing only for an instant. Ages 5 and up. [+]

Developing positive self-esteem and persevering in the face of difficulties are fundamental parts of growing up, but when 12-year old orphan Lewis (Daniel Hansen and Jordan Fry) can't seem to get adopted or make his inventions work despite repeated efforts, he begins to seriously doubt himself and his abilities as an inventor. A CGI picture by Disney with great animation and a fresh vision of what the future might look like, Meet The Robinsons follows Lewis from his lonesome days at the orphanage to his crushing failure at the school science fair when his newly invented memory scanner won't work. Then, an odd boy named Wilbur Robinson (Wesley Singerman) shows up to warn Lewis about the mysterious "Bowler Hat Guy" (Stephen J Anderson) lurking around the science fair, an evil man Wilbur claims is from the future. The next thing Lewis knows, he and Wilbur are on route to the future via time machine. Once there, Lewis meets the very quirky, extended Robinson family with whom he feels oddly at home. As the search for the Bowler Hat Man and his constant companion Doris (Ethan Sandler) becomes more and more dangerous, the Robinson family becomes crucial in keeping Lewis safe. In the end, Lewis returns to the present with a whole new inner strength, a sense of his place in the world, the knowledge that his actions directly affect others, and an optimistic determination to "keep moving forward. " While comparisons with the Back to the Future films are inevitable, Meet the Robinsons stands apart from its predecessors as its own, thoroughly entertaining family film. -Tami Horiuchi.

Racking up impressive box office numbers right across the globe, the arrival of The Simpsons Movie onto the big screen proved, for many, to be more than worth the wait. But with its DVD release, there's a compelling argument that Springfield's finest have come back to their natural home. The film itself is primarily Homer-centred, with the head of The Simpsons family seemingly consigning Springfield to certain doom when he dumps his waste where he shouldn't. But, in the true spirit of the show, the plot takes a relative back seat to the antics of America's first family. And it's those antics that offer the film's gold. As you'd hope, it boasts several laugh-out-loud moments, from visual gags (the rock and hard place being a favourite) through to the by-now infamous Spider-pig. There's not quite enough material to keep the chuckle counter going for the full duration of The Simpsons Movie, and the criticism that it's effectively three episodes strung together has some truth to it. But you'd still be hard-pushed to complain for one key reason: The Simpsons Movie is grand entertainment, with plenty of rewatch potential. So while you can add us to the queue of people who wanted more Mr Burns, and while it doesn't quite measure up to some of the show's best episodes, The Simpsons Movie still delivers, and does it with some quality. And Spider-pig is a work of genius…-Jon Foster.

If you're looking for signs that the modern-day Disney has lost neither its touch nor its savvy nature, then there's evidence in abundance in the smart modern-day fairy tale Enchanted. Bookended by the kind of old-style animation the studio is rightly famed for, the main, live action segment of the film finds Amy Adams' Giselle-an archetypal Disney princess in pretty much every sense-dropped slap bang into the middle of modern day New York. What follows is ingenious fun, as Giselle walks round very much as a fish out of water, followed quickly by James Marsden's prince who attempts to come to the rescue. Thing is, modern day New York and old style princesses don't really mix, and Enchanted studiously mines the comedy of the scenario, thanks to a smart and witty script. What also lifts Enchanted though are the delightful tips of the hat to classics of Disney old. And we're not just talking the show-stopping numbers: there are references to the likes of Beauty and the Beast, Snow White and Sleeping Beauty to be found here, and a star-making performance from Adams powering the whole film forward. One of the very best family movies of 2007, Enchanted does occasionally stumble through the odd twee moment (and it could really use a villain with more screen time than Susan Sarandon's wicked stepmother gets), but that can't hide the fact that it's terrific fun, lavishly made and, at its best, quite brilliant. A modern day family classic, and great to see Disney once again delivering the kind of entertainment it excels at. -Simon Brew.

Perhaps it didn't ignite the box office in quite the way it'd been hoped, but that's little reason to pass over the qualities of The Golden Compass now it arrives on DVD. Based on the Phillip Pullman novel His Dark Materials-itself the start of the Northern Lights trilogy, the film isn't without a few problems, but emerges as a quality adaptation. And you certainly can't fault The Golden Compass for sheer ambition. The story, for those new to the series, is primarily that of 12-year old Lyra, who is in search of her friend who has been kidnapped. Naturally, this proves to be quite a challenging adventure, not least because it's through Pullman's vividly imagined world, crossing dimensions as Lyra travels. The film, while toning down and fiddling with some elements of the source material, stays quite close to the book, and it proves to be a good, if not Lord Of The Rings-standard, adaptation. What helps The Golden Compass, on top of the strong effects work and scope of the production, is a solid cast, featuring the likes of Daniel Craig, Nicole Kidman and Dakota Blue Richards. And it certainly whets the appetite for the next instalment in the series. Whether the muted box office returns put pay to that remains to be seen: for now, at least, The Golden Compass is a good, solid family movie that's easy to enjoy. -Jon Foster.

Disney's 1959 Sleeping Beauty was the studio's most ambitious effort to date, a lavish spectacle boasting a gorgeous waltz-filled score adapted from the music of Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked queen in Disney's Snow White and the Seven Dwarfs) taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her sixteenth birthday. This, of course, would deny her a happily-ever-after with her true love. Fortunately, some bubbly, bumbling fairies named Flora, Fauna and Merryweather are on hand to assist. It's not really all that much about the title character-how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here, alongside Maleficent's castle, which, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. -David Kronke, Amazon. com.

Based on a novel by Dick King-Smith, author of The Sheep Pig (from which Babe was adapted), the touching and often spectacular The Water Horse: Legend of the Deep ingeniously presumes to explain the truth behind "Nessie," , the Loch Ness Monster. The story, told in present day to a couple of American tourists by a kindly gentleman (Brian Cox) in a pub, begins with a lonely boy, Angus (Alex Etel), pining for his father, who is serving in the Royal Navy during World War II. Angus, along with his sister (Priyanka Xi) and mother (Emily Watson), live on an estate that has been billeted by soldiers in the Scottish Highlands, near Loch Ness. The troop's commander (David Morissey) has an eye for mom, suspicions about a mysterious handyman, Lewis (Ben Chaplin), who is also a war hero, and an absurd contention that the Highlands are the real frontline in the war against Germany. Into this intriguing drama comes a completely different element, a fantastical creature of Celtic mythology that befriends Angus and is, in fact, the sea-beast who will eventually be known as the Loch Ness Monster. Trying to hide the dinosaur-like fellow, nicknamed Crusoe, Angus enlists Lewis to transfer it to the lake, where boy and serpent have extraordinary adventures together until human stupidity threatens Crusoe's existence. A true family film, there is a lot for adults to like about the grownup story in The Water Horse. Meanwhile, the wistful relationship between Angus and Crusoe-each of whom helps the other move past obstacles toward their individual destinies-will leave children feeling both happy and melancholy in the best possible sense. Directed by Jay Russell (My Dog Skip), The Water Horse is the best of a mini-genre of films about or inspired by old Nessie. -Tom Keogh.

Back in 1961, Walt Disney got a little hip with 101 Dalmatians, making use of that flat Saturday morning cartoon style that had become so popular. The result is a kitschy change in animation and story. Pongo and Perdita are two lonely Dalmatians who meet in a London park and arrange for their pet humans to marry so they can live together and raise a family. They become proud parents of 15 pups, who are stolen by the dastardly Cruella De Vil, who wants to make a fur coat out of them. Cruella has become the most popular villain in all of Disney-she is flamboyantly nasty and lots of fun. But it is the Dalmatians who shine in this endearing classic, particularly those precocious pups. Telling the story from the dogs' point of view is a clever conceit, a fundamental flaw of Disney's 1996 live-action remake. -Bill Desowitz Disney may throw around the word 'classic' with a little too much abandon when it comes to some of its animated releases, but its take on 101 Dalmatians is very much the real deal. With lively songs, a terrifically-realised story and one of its very best villains, it remains a towering achievement, over four decades since it first appeared. The story of 101 Dalmatians starts with the two heroes of the tale, Pongo and Perdita. [+]

But when their litter of dalamatian puppies is dognapped by the evil Cruella De Vil's cronies, the pair must spring into action to save their offspring before Cruella gets herself the new coat that she desires. But while Pongo and Perdita may be the pair you end up rooting for, the undoubted star of 101 Dalmatians is Cruella De Vil. A wonderfully twisted, genuinely nasty villainess, she's an astounding creation and adds a real menace to the film. That said, it's not a downbeat or scary tale: toe-tapping musical numbers, plenty of imagination and a good few chuckles make up the rest of the ingredients, and rarely have they all come together quite so well as they do here. Retold by Disney in live action form in 1996, it's nonetheless its animated take on 101 Dalmatians that remains the definitive filmed version. And now packed into a special collectors' DVD set, there's never been a better reason to treat your family to a copy. Unmissable, and a reminder of why Disney's reputation in this field is quite so towering. -Simon Brew.

Less engrossing than its 2004 predecessor National Treasure, Jon Turteltaub's busy sequel National Treasure 2: Book of Secrets is nevertheless a colourful and witty adventure, another race against overwhelming odds for the answer to a historical riddle. Ben Gates (Nicolas Cage), the treasure hunter who feverishly sought, in the first film, the whereabouts of a war chest hidden by America's forefathers, is now charged with protecting family honour. When a rival (Ed Harris) offers alleged proof that Gates' ancestor, Thomas Gates, was not a Civil War-era hero but a participant in the assassination of Abraham Lincoln, Ben and his father (Jon Voight) and crew (Justin Bartha, Diane Kruger) hopscotch through Paris, London, Washington DC, and South Dakota to gather evidence refuting the claim. The film is most fun when the hunt, as in National Treasure, squeezes Ben into such impossible situations as examining twin desks in the queen's chambers in Buckingham Palace and the White House's Oval Office, or kidnapping an American president (Bruce Greenwood) for a few minutes of frank talk. Helen Mirren, the previous year's Oscar winner for Best Actress, wisely joins the cast of a likely hit film as Ben's archaeologist mother, long-estranged from Voight's character but as feisty as the rest of the family. Returning director Turteltaub takes excellent advantage of his colorful backdrops in European capitals and the always-eerie Mount Rushmore, and oversees some wildly imaginative sets for this dramedy's feverish third act in an audacious and completely unexpected, legendary setting. If National Treasure 2: Book of Secrets doesn't feel quite as crisp and unique as its predecessor, it is still ingenious and wry enough to laugh a bit at itself. -Tom Keogh.

One of the very best animated films that the Walt Disney Studio has ever released (and the last to be produced by Walt Disney himself), and as downright brilliant as it was on its debut in 1967, The Jungle Book makes a very welcome return to DVD in this excellent 40th anniversary double-disc set. Based loosely on the Rudyard Kipling's book of the same name, the film tells the story of man-cub Mowgli, and the friends he makes in the jungle. And it's these friends who ignite the film, with some of the most memorable characters and songs that Disney has ever put on the screen. Kings of The Jungle Book are the likes of Baloo the Bear, King Louie the villainous Shere Khan the Tiger, while supporting characters such as Colonel Hathi are just as memorable. It's astonishing that it packs so much and so many into its relatively short running time. It's an amazing achievement too that The Jungle Book bristles with such energy and fun, and that it's just as likely to enthral the current generation of youngsters as well as those of us who saw it first time round. And when those songs start playing-from Bare Necessities through to I Wanna Be Like You-it'll take some effort to not start tapping your feet. A brilliant, brilliant film, and as vintage as the Disney back catalogue gets. -Simon Brew.

Disney's huge hit franchise of the moment never has, and perhaps never will, see the inside of a cinema. But given the millions upon millions of followers across the globe, the DVD release of High School Musical 2 will nonetheless rival the sales of any blockbuster you care to mention. And why shouldn't it? Grounded firmly in the family spirit that classic Disney movies are renowned for, High School Musical 2 isn't the most radical movie you're ever likely to see, but it's had few recent rivals where outright fun is concerned. The plot this time sees Troy, Gabriella, Ryan, Chad, Taylor and Sharpay in the midst of organising a talent competition during their school holidays, which proves all the excuse the film needs to bring on the musical entertainment. Packed in with insanely addictive tunes, and playing very firmly to its fan base, it's hard not to conclude that High School Musical 2 is a success. What's more, there's immense respin potential to the disc, and given the raging success of the first movie, this one too is set to be enjoyed time and time again. Not jumped on the High School Musical wagon yet? Here's a perfect place to start. is a fun family movie, and one that sits both as a worthy sequel, and a warm slice of entertainment in its own right. -Jon Foster.

As good a film as Pixar has ever put out, Ratatouille is a frantic, innovative movie, boasting some of the finest quality animation ever put on the screen. Ratatouille tells the story of wannabe-chef Remy The Rat, who becomes drawn into the mantra of legendary cook Gusteau, that anyone can cook. The deceased Gusteau's ghostly image appears to Remy, and guides him to his restaurant, whose standards have been slipping since his death. Remy, through the manipulation of a lowly restaurant worker called Linguini, soon starts secretly cooking the food, and this unusual set up proves to be a trove of treasures that Pixar carefully picks through. Ratatouille's trick is to tie its cutting edge animation techniques to old-school essentials. At times harking back to the frenetic style you'd expect of Chuck Jones, it threads an original narrative through its story, which itself is packed with memorable characters (none more so than Peter O'Toole's superbly-voiced restaurant critic). It perhaps runs a little too long, but it's so well-written and so lavishly entertaining that it's a churlish complaint to have. For in an era of cynically-produced family movies, Ratatouille is really something special. With an appeal that spreads across generations, and a quality that puts it right up there with Pixar's finest, it's an outstanding piece of cinema, and one set to be enjoyed for many, many years. Unmissable. [+]

Like the Tin Man's heart, the true test of a real classic is how much it is loved by others. The enduring charms of The Wizard of Oz have easily weathered the vicissitudes of changing fashions making the film one of the world's best-loved, most-quoted and frequently imitated movies. It's now as ubiquitous an American pop-cultural icon as McDonald's, making judging the movie purely on its own merits an almost impossible task. Judy Garland's tragic later life, for example, makes her naïve and utterly beguiling Dorothy seem all the more poignant in retrospect. But this at least is clear: much of this movie's success depends on the winning appeal of Garland's "Everygirl" figure, who creates the vital identification and empathy necessary to carry the audience with her into the land of Oz. We always care deeply about Dorothy, her quest for home and the strength of her friendship with her companions. Garland's assured dancing and singing routines with her ideally cast Broadway comedy co-stars Ray Bolger, Bert Lahr and Jack Haley are still endlessly delightful, of course, and the songs and score (by Arlen, Harburg and Stothart) are as good as anything in the Hollywood musical canon. It is Garland's deeply felt rendition of "Over the Rainbow" that is both the film's emotional core and the reason why adults as much as children the world over still respond so strongly to this movie. So long as people long for home and the love of their friends and family, the nostalgic appeal of Oz will never fade. On the DVD: another splendid digital restoration from the MGM vaults keeps this wonderful classic as vivid and alive as it was back in 1939, if not more so. [+]

The 1. 33:1 picture is clear and defined, bursting with the vibrant colours of Oz (you can even see the wires holding up the Lion's tail). Even more remarkably, because the original microphone tapes have been preserved the soundtrack has been remastered in 5. 1 stereo, thereby accentuating the lush tones of the MGM orchestra and Garland's famous singing. The disc is also chock full of extras, including outtakes, audio sequences, composer Harold Arlen's backstage movies, extracts from earlier silent Oz films, clips from the Academy Awards and interviews with the stars among many other fascinating nuggets. The new 50-minute documentary hosted by Angela Lansbury, and irritatingly narrated in the present tense, is oddly the weakest part, with too little hard information and too much padding about how everyone loves the movie. The only gripe is Warners' trademark cardboard slipcase, which is awkward and easily damaged. But this is still an essential disc for the young at heart everywhere. -Mark Walker.

As sci-fi action blockbusters go, they don't come much bigger than Transformers. Maybe it's because of the subject matter: it's based on a toy line from the 1980s, concerning giant robots from outer space engaged in a civil war that pits the heroic Autobots against the evil Decepticons. They have the ability to disguise themselves as vehicles and other mechanical objects, transforming back into robots when it's time to stomp each other senseless. As a premise, it's rather silly. But it's also very simple, and that's why it works. The heroes are truly heroic: the noble and powerful Autobot leader Optimus Prime is one of the most iconic characters of the 1980s, and getting the original voice actor (Peter Cullen) to give him life was a stroke of genius. The villains, meanwhile, are just plain evil: Decepticon leader Megatron (voiced by Hugo Weaving) is motivated by absolute power, and his soldiers are not above a bit of wanton destruction to achieve their goals. Mix in a bit of mysticism in the form of the Allspark, the source of life for all Transformers, and the result is pure cinematic magic. It's not a perfect film: there are some characters and sub-plots that are unnecessary and which go nowhere, and at almost three hours, it's a lot of movie. But the Transformers themselves, rendered in CGI, have a very realistic size and weight on screen, and look particularly good as they switch from one mode to the other. [+]

Moreover, director Michael Bay is smart enough to realise that appealing to kids doesn't mean pandering to them-the cutest robot on screen is a manic little psychotic killer with the apt name Frenzy. The humans in the film, meanwhile, keep the film grounded, whilst never detracting from the real robot stars. Unlike The Matrix trilogy, which tried to be too clever, or The Lord of the Rings films, which were too clever, Transformers is probably the best science fiction epic since the original Star Wars trilogy. -Robert Burrow.

A staggering surprise success at the box office just before Christmas 2007, the reason for the popularity of Alvin and the Chipmunks soon becomes clear. Not only is it a new adventure for a popular set of characters of old, it's also a fun, breezy family movie, that the kids in particular will enjoy. Starring Jason Lee (of My Name Is Earl fame), Alvin and the Chipmunks mixes in live action and CGI chipmunks (Alvin, Simon and Theodore) in a story that sees that moved from their natural habitat into the midst of the big city. The plot then becomes as predictable as you'd expect, but there's still plenty of fun to be had anyway. For Alvin and the Chipmunks has plenty in its corner. It's funny, first and foremost, and moves along at a good pace, never forgetting that its prime job is to entertain its audience. And that's something it easily manages to do, wrapping everything up by remembering not to outstay its welcome, either. Considering that Alvin and the Chipmunks enjoy a legion of fans that stretch back decades, it's perhaps not a surprise after all that the film enjoyed the success it did. But what's pleasing is that the spirit of the source material, in spite of its contemporary setting, is adhered to, and there's fun for all in the end product. -Jon Foster.

C. S. Lewis's classic novel The Lion, the Witch, and the Wardrobe makes an ambitious and long-awaited leap to the screen in this modern adaptation. It's a CGI-created world laden with all the special effects and visual wizardry modern filmmaking technology can conjure, which is fine so long as the film stays true to the story that Lewis wrote. And while this film is not a literal translation-it really wants to be so much more than just a kids' movie-for the most part it is faithful enough to the story, and whatever faults it has are happily faults of overreaching, and not of holding back. The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe tells the story of the four Pevensie children, Lucy, Peter, Edmund, and Susan, and their adventures in the mystical world of Narnia. Sent to the British countryside for their own safety during the blitz of World War II, they discover an entryway into a mystical world through an old wardrobe. Narnia is inhabited by mythical, anthropomorphic creatures suffering under the hundred-year rule of the cruel White Witch (Tilda Swinton, in a standout role). The arrival of the children gives the creatures of Narnia hope for liberation, and all are dragged into the inevitable conflict between evil (the Witch) and good (Aslan the Lion, the Messiah figure, regally voiced by Liam Neeson). Director (and co-screenwriter) Andrew Adamson, a veteran of the Shrek franchise, knows his way around a fantasy-based adventure story, and he wisely keeps the story moving when it could easily become bogged down and tiresome. [+]

Narnia is, of course, a Christian allegory and the symbology is definitely there (as it should be, otherwise it wouldn't be the story Lewis wrote), but audiences aren't knocked over the head with it, and in the hands of another director it could easily have become pedantic. The focus is squarely on the children and their adventures. The four young actors are respectable in their roles, especially considering the size of the project put on their shoulders, but it's the young Georgie Henley as the curious Lucy who stands out. This isn't a film that wildly succeeds, and in the long run it won't have the same impact as the Harry Potter franchise, but it is well done, and kids will get swept up in the adventure. Note: Narnia does contain battle scenes that some parents may consider too violent for younger children. -Dan Vancini.

The monsters in Monsters, Inc. are just so incredibly cute-and they know it. Whereas Woody, Buzz and pals in the Toy Story saga were filled with self-doubt about just how much the children in their lives would continue to love them, here our heroic monsters and their impossibly lovable human ward Boo have no such worries, at least when it comes to the cinema audience. And that's why Monsters, Inc. , for all its wondrous computer-animated artistry, its smart humour and its family-friendly appeal, doesn't quite capture the naïve charm of its predecessors. Nevertheless, John Goodman and Billy Crystal, as scare-champions Sulley and Mike, are a great double-act whose comedy never goes over kids' heads but still reaches up to make their parents laugh. The film's central conceit-that monsters in the bedroom closet are just doing a night's work in order to generate power from screams for the city of Monstropolis-is funny and cleverly worked out; and kids will of course love the fact that the monsters are mortally afraid of the very children they are trying to frighten. The animation is extraordinarily detailed (Sulley's fur is a marvel in itself) and the set-piece action sequences top anything that has gone before for sheer audaciousness. But overall Pixar play things very safe, from the hissable villain to the end credit "outtakes". A bolder film might have taken inspiration from The Nightmare Before Christmas; instead, a little of that Disney disease of knowing cuteness seems to have crept into the formula. [+]

Review Dinosaur (Disney) (2000) / Walt Disney Home Video:

Review Cars (2006 - Disney/Pixar) / Walt Disney Home Video:

Review Penelope [2007] / Momentum Pictures:

Review Meet The Robinsons [2007] / Walt Disney Studios Home Entertainm:

Review The Simpsons Movie [2007] / 20th Century Fox Home Entertainment:

Review Enchanted [2007] / Walt Disney Studios Home Entertainment:

Review Trumpton - The Complete Collection [1967] / Uca:

Review The Golden Compass [2007] / Entertainment in Video:

Review Sleeping Beauty (50th Anniversary Deluxe Edition) [1958] / Disney:

Review The Water Horse - Legend Of The Deep [2007] / Sony Pictures Home Entertainment:

Review 101 Dalmatians Platinum Edition [1961] / Walt Disney Studios Home Entertainm:

Review National Treasure 2 - Book Of Secrets [2007] / Walt Disney:

Review The Jungle Book : 40th Anniversary 2 Disc Special Edition [1967] [1968] / Buena Vista Home Entertainment:

Review High School Musical 2 - Extended Edition [2007] / Walt Disney Studios Home Entertainm:

Review Ratatouille [2007] / Walt Disney Studios Home Entertainment:

Review The Wizard Of Oz [1939] / Warner Home Video:

Review Transformers (2007) / Dreamworks Home Entertainment:

Review Alvin And The Chipmunks [2007] / 20th Century Fox Home Entertainment:

Review The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe [2005] / Buena Vista Home Entertainment:

Review Monsters Inc. [2002] / Buena Vista Home Entertainment: