David E Kelley's script for Mystery, Alaska (co-authored by Sean O'Byrne) takes his Ally McBeal level of eccentricity to a geographical and spiritual extreme. The film revives the hackneyed Rocky formula, setting a lopsided hockey match within a remote, self-contained hamlet where the members of a tiny population all have to wear multiple hats and still keep neighbourly ties intact. The story concerns the town's chief source of identity and pride: so-called "Saturday games", in which local men divide into teams and play pond hockey for the locals. When a prodigal son (Hank Azaria) of Mystery shows up with a television network offer to bring the New York Rangers in for a televised match against the homegrown team, the town fathers agree. Coaching falls to the town sheriff, John Biebe (Russell Crowe), an admirable man and a long-time player recently bumped from the team. John, however, doesn't want the job: everyone knows the real coach in those parts is Judge Burns (Burt Reynolds), but he wants no part of it either. All of that changes after a sad tragedy forces everyone to revaluate their positions and pull together in order to beat the Rangers. Following the success of Austin Powers: International Man of Mystery, Jay Roach proves to be an able director of drama, swift action and low-key, character-driven comedy not unlike that in Benton's Nobody's Fool. He has to deal with some pure corn at the end, but Roach pulls it off and guides the actors to and through far better moments. -Tom Keogh, Amazon. [+]

Charmed: The Complete First Season recaptures a period when television's WB network was particularly keen on series about the supernatural and specially powered characters. The original home of Buffy the Vampire Slayer and future launch pad for Angel and Smallville, the WB debuted Charmed in 1998 with many of the same intriguing ironies that made those other shows click. Specifically, the greater a character's powers, the more vulnerable he or she becomes; the more superhuman, the more painfully obvious one's lonely, fragile humanity. The Halliwells, a trio of witch heroines and siblings at the center of Charmed, is a case in point. Phoebe (Alyssa Milano) returns to her San Francisco family home after losing her job, and moves in with her older sisters Prue (Shannen Doherty) and Piper (Holly Marie Combs). On her first night back, Phoebe finds the Book of Shadows in the attic and recites a spell giving all three women unique powers they were always meant to have: Prue suddenly has the gift of telekinesis, Piper can make time stand still, and Phoebe can see into the future. All well and good, but along with those extraordinary abilities is a new awareness of dark forces in the world from which mortals need protection. In some cases, those forces have been plotting a long time to steal the Halliwell's magical legacy once they awakened to it-and now they will never let up. Evil warlocks, demons, ancient curses, Grimlocks, and Wendigos (the last two are best left explained by their respective episodes), however, are only half the battle on this sexy dramedy, in which more ordinary matters of emotional and real-world survival also preoccupy the Halliwells. An important ally, Inspector Andy Trudeau (Ted King), is Prue's ex-lover, a delicate detail that mixes pain with duty as the couple rekindles their troubled relationship while solving otherworldly crimes. [+]

With refreshing energy, Blue Crush is the kind of movie that girls and young women deserve to see more of. It's mostly for them (although nice tans and bikinis will attract the guys), and it rejuvenates the surf-movie tradition by showing real girls with real friendships, coping with absent parents, borderline poverty, rocky romance, and the challenge of raising a kid sister. For young Hawaiian Anne Marie (Kate Bosworth), those responsibilities are motivations to excel as a champion-class surfer-if she can overcome the fear of drowning, which she nearly did in a previous wipeout. Supportive friends (Girlfight's Michelle Rodriguez, and Sanoe Lake) help her reach the climactic competition on Oahu's infamous Bonzai Pipeline, and like Saturday Night Fever, this engaging film uplifts the working class without condescension, riding high toward the joy of achievement. As an amateur surfer, director John Stockwell (Crazy/Beautiful) captures the extreme thrill of the sport while respecting the forces of nature and human behaviour. -Jeff Shannon.

The Crying Game offers a rare and precious movie experience. The film is an unclassifiable original that surprises, intrigues, confounds, and delights you with its freshness, humor, and honesty from beginning to end. It starts as a psychological thriller, as IRA foot soldier Fergus (the incomparable Stephen Rea) kidnaps a British soldier (Forest Whitaker) and waits for the news that will determine whether he executes his victim or sets him free. As the night wears on, a peculiar bond begins to form between the two men. Later, the movie shifts tone and morphs into something of a romantic comedy as Fergus unexpectedly becomes involved with the soldier's girlfriend Dil (Jaye Davidson) and discovers more about himself, and human nature in general, than he ever dreamed possible. Like Spielberg's E. T. , The Crying Game was supposed to be director Neil Jordan's "little, personal movie," the one he just had to make, even though no studio was willing to give him money because the story was so unusual. Instead, it became a surprise popular sensation, thanks in part to Miramax's cleverly provocative campaign playing up the hush-hush nature of the movie's big secret. The performances (including Miranda Richardson as one of Fergus's IRA colleagues) are subtly shaded, and the writing and direction are tantalizingly rich and suggestive; you're always trying to figure out the characters' true motives and feelings-even when they themselves are fully aware of their own motives and feelings. [+]