Jason Statham, Shu Qi, Francois Berleand, Matt Schulze, Ric Young

Starting around Halloween 4, that masked nut Michael Myers stopped chasing his sister (played by Jamie Lee Curtis in the first and second films, as well as Halloween H20) and went after his niece. Now he's chasing her around again in part 5, but it's a lot of other people who die in the process. Donald Pleasence continues his mad-doctor bit from the earlier movies, Danielle Harris is the unfortunate relation, and Donald L. Shanks plays the monster. The film is an improvement on parts 2 and 4 (part 3 having nothing to do with Michael Myers), but it still amounts to routine slaughter with none of John Carpenter's stylistic brilliance from the original movie. -Tom Keogh, Amazon. com.

Although it was only made in 1987, Predator is already the kind of film that has action fans sighing, "They don't make 'em like that any more". Few later films can equal its testosterone-fuelled scenario, its graphic violence or its genuinely unnerving sense of danger. An alien big-game hunter comes to Earth to hunt the meanest, most dangerous creatures on the planet. Naturally, Arnold Schwarzenegger and his astonishingly muscle-bound team of marines are prime targets. The premise has a compelling Zen-like simplicity and the correspondingly minimalist script consists, for the most part, of the statuesque soldiers snarling one-liners at each other ("I ain't got time to bleed", "If it bleeds we can kill it") in between firing unfeasibly large weapons. Director John McTiernan emphasises the claustrophobic confines of the jungle setting, allowing tension to build for the film's first two thirds by keeping the titular hunter concealed from both its prey and the audience. Composer Alan Silvestri's nerve-jangling percussive score racks up the tension yet further. When the creature does show its handiwork the results are horrifically gory, and, thanks to the film's insistently realistic tone, all the more terrifying. By the final act, a memorably mud-caked Arnie must discard all his high-tech weaponry and fight hand-to-hand against creature effects wizard Stan Winston's classic monster; McTiernan's action choreography ensures that the outcome of this hard-fought duel is never a foregone conclusion. On the DVD: Predator at last gets the DVD release it deserves. [+]

Anybody seen Keanu? The action star of Speed opted out of this overbearing sequel, which finds co-star Sandra Bullock in love with another guy (Jason Patric) and in trouble aboard a cruise ship under the control of a mad extortionist (Willem Dafoe). Speed director Jan de Bont is back at the helm for part 2, but even he seems to have forgotten that what made the first film work was the simplicity of its hook (the bomb, the bus that can't drive below 50 mph, the handful of sympathetic passengers, etc. ). Speed 2 is all about hugeness: big ship, lots of places to get into trouble and so on. Even with an eye-popping, endless finale of the vessel crashing into port (and causing mondo destruction), there is nothing about this movie that is remotely as involving as its predecessor. -Tom Keogh.

Writer-director Alan Parker's feature debut Bugsy Malone is a pastiche of American movies, a musical gangster comedy set in 1929, featuring prohibition, showgirls and gang warfare, with references to everything from Some Like It Hot to The Godfather. Uniquely, though, all the parts are played by children, including an excellent if underused Jodie Foster as platinum-blonde singer Tallulah, Scott Baio in the title role and a nine-year-old Dexter Fletcher wielding a baseball bat. Cream-firing "spluge guns" side-step any real violence and the movie climaxes cheerfully with the biggest custard pie fight this side of Casino Royale (1967). Unfortunately for a musical, Paul Williams' score-part honky-tonk jazz homage, part 1970s Elton John-style pop-lets the side down with a lack of memorable tunes. Nevertheless, Parker's direction is spot on and the look of the film is superb, a fantasy movie-movie existing in the same parallel reality as The Cotton Club and Chicago. A rare British love letter to classic American cinema, Bugsy Malone remains a true original; in Parker's words "the work of a madman" and one of the strangest yet most stylish children's films ever made. On the DVD: Bugsy Malone's picture is presented non-anamorphically at 1. 66:1, with rich colours and plenty of detail. The print is excellent. The audio is stereo only and while full and clear seems to leave a hole in the middle of the soundstage. [+]

This echo of 1970s disaster films stars Sylvester Stallone as the disgraced former head of New York City's Emergency Medical Services, a loser who is nevertheless a compulsive rescuer of people in danger. When the Holland Tunnel is sealed off after a fiery explosion and car passengers are trapped within, he goes inside and leads a group of survivors (a mixed group allegorically representing America's diversity) through all manner of pestilence toward safety. Directed by the imaginative Rob Cohen (Dragon: The Bruce Lee Story), Daylight finds Stallone outrageously (and to almost campy effect) pushing the envelope of his martyr persona to near-religious levels. He throws himself, quite literally, into this part and between that entertainment factor and the unnervingly convincing effects, this is a pretty watchable film. -Tom Keogh.

For a movie that would like to think of itself as the future of the action / espionage picture, xXx uses a surprising number of jokes and stunts lifted directly from the Roger Moore Bond era while the actual premise resembles a sex-change for Nikita. Vin Diesel's Xander Cage-an extreme sports daredevil recruited by spymaster Samuel L Jackson for a covert mission in Prague-may be Blofeld-bald, pumped-up with testosterone, tattooed like a graffiti-covered wall and given to driving sports cars off bridges for fun, but he turns out to be a disappointingly square goodie-goodie when the quips and bullets are flying. Even the slinky heroine (Asia Argento), a double agent within a mad ex-Soviet gang called Anarchy 99, laughs at the idea that a walking cue ball with three Xs tattooed on his neck could ever be a secret agent. There's one stunt scene that will be remembered as a classic, as xXx triggers an avalanche and snowboards ahead of the fall. But there's too much of the falling-out-of-planes, straddling-and-defusing-jet-propelled-germ-bombs, blasting-every-baddie-in-the-place business that makes it too familiar. Enough material for several great trailers, but next time they'll need a script. -Kim Newman On the DVD: xXx comes loud and proud to DVD, with Dolby 5. 1 sound and the kind of sharp screen transfer you'd expect for a movie of this magnitude. From beautiful scrolling menus based on the tattoo artwork to the brash music, this disc epitomises everything an extreme sports release should be: special features are offered in the "Zander Zone" and include a whole host of behind-the-scenes action and commentaries, made all the more interesting by Rob Cohen's reluctance to use CGI and Vin Diesel's willingness to be thrown in at the deep end. If there's one thing you should avoid, though, it's the Gavin Rossdale music video-unless of course you want to see a grown man's vanity on screen. [+]

Robert Clayton Dean (Will Smith) is a lawyer with a wife and family whose happily normal life is turned upside down after a chance meeting with a college buddy (Jason Lee) at a lingerie shop. Unbeknownst to the lawyer, he's just been burdened with a videotape of a congressman's assassination. Hot on the tail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious fed named Reynolds (Jon Voight). Using surveillance from satellites, bugs and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves. Driven by acute paranoia, Dean enlists the help of a clandestine former NSA operative named Brill (Gene Hackman) and Enemy of the State kicks into high-intensity hyperdrive. Teaming up once again with producer Jerry Bruckheimer, Top Gun director Tony Scott demonstrates his glossy style with clever cinematography and breakneck pacing. Will Smith proves that there's more to his success than a brash sense of humour, giving a versatile performance that plausibly illustrates a man cracking under the strain of paranoid turmoil. Hackman steals the show by essentially reprising his role from The Conversation-just imagine his memorable character Harry Caul some 20 years later. Most of all, the film's depiction of high-tech surveillance is highly convincing and dramatically compelling, making this a cautionary tale with more substance than you'd normally expect from a Scott-Bruckheimer action extravaganza. -Jeremy Storey Will Smith, Jack Black, Scott Caan, Jason Lee, Jamie Kennedy.

If Sylvester Stallone plays the world's number one assassin in this thriller, that must make Antonio Banderas, well, number two. The two are competing to hit the same target for a $20-million payoff and their challenge takes them from explosion to explosion on a cat-and-mouse chase from Seattle to Mexico. Julianne Moore plays the cagey cat fancier and computer hacker who possesses a stolen computer disc that makes her a prime target for bad guys, and Robert Rath (Stallone)is only too happy to come to her defense. Director Richard Donner handles action sequences with adequate flair and has a good time blowing things up. Banderas has fun with the nonsensical plot, and Moore is enjoyable in one of her big-budget mainstream roles. -Jeff Shannon.

You'd expect the end of the world to be no day in the park, but in M. Night Shyamalan's The Happening, a day in the park is where the end begins. One otherwise peaceful summer morning, New Yorkers strolling in Central Park come to a halt in unison, then begin killing themselves by any means at hand. At a high-rise construction site a few blocks over, it's raining bodies as workers step off girders into space. And all the while, the city is so quiet you can hear the gentle breeze in the trees. That breeze carries a neurotoxin, and what or who put it there (terrorists?) is a question raised periodically as the film unfolds. But the question that really matters is how and whether anybody in the Middle Atlantic states is going to stay alive. The Happening is Shyamalan's best film since The Sixth Sense, partly because he avoids the kind of egregious misjudgment that derailed The Village and Lady in the Water, but mostly because the whole thing has been structured and imagined to keep faith with the point of view of regular, unheroic folks confronted with a mammoth crisis. Focal characters are a Philadelphia high-school science teacher (Mark Wahlberg, excellent), his wife (Zooey Deschanel) and math-teacher colleague (John Leguizamo), and the latter's little girl (Ashlyn Sanchez). Instinct says get out of the cities and move west; most of the film takes place in the delicately picturesque Pennsylvania countryside, with menace hovering somewhere in the haze. [+]

The Core is high-tech Hollywood hokum at its finest; smarter than Armageddon and equally extreme. It's scientifically ridiculous, naturally, but this variant of Fantastic Voyage at least tries to be credible as it plunges deep into the Earth's inner core, where a formulaic team of experts pilot an earth-boring ship to jump-start the planet's spinning molten interior, now stalled by a military secret that could seal the fate of all humankind. It's a geophysicist's daydream, which only a fine ensemble cast could rescue from absurdity, and director Jon Amiel (Entrapment, Copycat) draws excellent work (and plenty of humorous interplay) from Aaron Eckhart, Hilary Swank, Stanley Tucci, Delroy Lindo and a host of memorable supporting players, especially DJ Qualls as the world's greatest cyber-nerd. With enough digital FX disasters to satisfy anyone's apocalyptic fantasies, this is a popcorn thriller with all the bells and whistles that its genre demands. Sit back, pump up the volume and enjoy the dazzling ride. -Jeff Shannon.