Of course, the ending is never really in doubt-but Bettany is a unique cinematic presence, pale and lithe, doubtful of life but also hungry for it. Thanks to him and the ever-engaging Dunst, Wimbledon is funnier, more suspenseful, and more touching that anyone might expect, turning a conventional flick into a genuine charmer. -Bret Fetzer.

On the DVD: Disappointingly, there are no extra features at all here, aside from subtitles and "interactive menus"-which simply means there is an onscreen menu and it works. -Mark Walker When his absent-minded father gives young Billy Pelzer (Zach Galligan) a new pet, he warns him to abide by three rules. The rules get broken, of course, and the pet-a cute Mogwai named Gizmo-unwittingly gives birth to the vicious Gremlins who proceed to terrorise the town. Although the long shadow of Producer Steven Spielberg hangs over Joe Dante's 1984 comedy Gremlins almost as much as it did over Tobe Hooper's Poltergeist (1982), Dante doesn't allow it to overwhelm his own quirky style too much. Glimpses of Robbie the Robot and The Time Machine (which promptly disappears) at an inventors' convention reveal his passion for old-movie references (which culminated with Matinee, 1993). Aided and abetted by Spielberg's guidance and a script by Chris Columbus (who would go on to direct and produce the Home Alone franchise) and a music score by Jerry Goldsmith, Dante had all the help he needed to make the biggest hit of his career. Much of the humour derives from Dante's playful handling of the setting in Smallsville, USA, whose inhabitants are as much the target of his satire as they are of the Gremlins' unwanted solicitations. The xenophobic neighbour who warns prophetically of "gremlins" in foreign cars and machinery provides a subtext for the attack on homely American values, as does showing Invasion of the Body Snatchers on TV while the wicked Gremlins hatch. The sight of the little tykes cavorting in a bar, getting drunk and even dancing in pink leggings looks suspiciously like a satirical dig at the whole 1980's culture of selfishness: with their destructive impulses and overindulgences the Gremlins are the ultimate egotistical yuppies. As with many Spielberg projects, the bland hero saves the day for nostalgic, old-fashioned values, but there are plenty of laughs along the way-for example in the now-classic scene when the hero's mother fights off Gremlins in the kitchen by stuffing them in the blender and microwave. Dante's 1990 sequel is even more satirically pointed, and he effectively remade the original with Small Soldiers (1998), replacing Gremlins with toys. -Mark Walker.

But it's Eckhart's performance as the charismatic Nick Naylor that is so convincing. By the end of the film, he manages to build sympathy not just for himself, but for the American tobacco industry-and that's no mean feat for Hollywood, particularly as non-smoking laws mean that, throughout the entirety of Thank You for Smoking, nobody is seen smoking a cigarette. -Ted Kord.

-Simon Brew Pixar Shorts Pixar's unprecedented string of hit animated features was built on the short films in this collection. John Lasseter and Ed Catmull used these cartoons the way Walt Disney used the "Silly Symphonies" during the 1930s: as a training ground for artists and a way to explore the potential of a new medium. Although it's only 90 seconds long, "Luxo, Jr. " (1986) ranks as the "Steamboat Willie" of computer animation: For the first time, audiences believed CG characters could think and feel. (It was also the first CGI film to make audiences laugh. ) When the artists began work on Toy Story, they had learned so much from the shorts, they were ready to undertake that landmark creation. In the later shorts, the viewer can see the artists continuing to experiment: with a more realistic human figure in "Geri's Game" and with new ways of suggesting atmospheric effects in "Boundin'. " Some of the more recent shorts continue the adventures of the characters from the features. "Jack-Jack Attack" reveals what happened to the hapless baby-sitter while The Incredibles were off fighting Syndrome, while "Mater and the Ghost Light" shows that life goes on for the inhabitants of Radiator Springs. When Sully from Monsters, Inc. tries to adjust his seat in "Mike's New Car," the animators prolong the moment to wring every drop of humour from the situation-just as an earlier generation of animators milked Wile E. Coyote's antics for all they were worth. The long-unseen films for Sesame Street are an unexpected bonus. A delightful collection of entertaining shorts, and a significant chronicle of the growth of computer animation. -Charles Solomon.

-Helen Baker.