This live-action version of EB White's novel doesn't have quite the magic of, say, Toy Story. Stuart Little is squarely aimed, and successfully so, at the 4- to 10-year-old viewer. Does this make it a bad family film? Not in the slightest. The gee-whiz visual effects (created by original Star Wars wizard John Dykstra) and the film's ebullient wholesomeness make this a welcome addition to the home library. In EB White's world, it's hardly surprising that human parents would adopt "outside their species". The smooth-talking mouse Stuart (voiced by Michael J. Fox) seems the perfect new child for parents Geena Davis and Hugh Laurie, especially with an adorable wardrobe of very small sweaters and pants. Stuart has more difficulty fitting in with the Little's family cat, Snowbell (voiced by Nathan Lane, who also deftly voiced Timon in director Rob Minkoff's last feature, The Lion King). The simple story deals with Stuart trying to fit in with his new life, including big brother George (Jerry Maguire's scene-stealing Jonathan Lipnicki). And of course there's an adventure when Snowbell's schemes put Stuart into real danger from the devious plans of an alley cat named Smokey (voiced by Chazz Palminteri). [+]

The bonds of true friendship and love are powerful enough to persist through even the most extreme circumstances, but can even the strongest bond endure when a young man and a young woman are split apart by the spirits? Since being turned into a bear as punishment for his insensitivity in Brother Bear, Kenai has managed to find true happiness and a compelling sense of purpose in his new relationship with his adopted brother Koda. But when Kenai's old friend Nita prepares for her wedding day with another man, the spirits send a sign indicating that a strong connection still exists between Kenai and Nita. The tribe Shaman suggests that the two join forces in a ritual to sever the bond between them and Nita, newly endowed with the ability to communicate with animals, seeks out Kenai in the woods. Even as the two friends resolutely journey to break the connection between them, the inescapable bond between them strengthens and threatens to disrupt not only Nita's upcoming marriage, but the special relationship between Kenai and Koda. In the end, destiny may require that each of the three choose between his or her happiness and the happiness of the other two. Like its predecessor Brother Bear, Brother Bear 2 features lush animation; a nice blend of action, suspense, and comedy; and a powerful message. (Ages 3-12)-Tami Horiuchi.

The swashbuckler genre bumped into science fiction in 1954 for one of Hollywood's great entertainments. The Jules Verne story of adventure under the sea was Walt Disney's magnificent debut into live-action films. A professor (Paul Lukas) seeks the truth about a legendary sea monster in the years just after the Civil War. When his ship is sunk, he, his aide (Peter Lorre), and a harpoon master (Kirk Douglas) survive to discover that the monster is actually a metal submarine run by Captain Nemo (James Mason). Along with the rollicking adventure, it's fun to see the future technology that Verne dreamed up in his novel, including diving equipment and sea farming. The film's physical prowess is anchored by the Nautilus, an impressive full-scale gothic submarine complete with red carpet and pipe organ. In the era of big sets, 20,000 Leagues set a precedent for films shot on the water and deservedly won Oscars for art direction and special effects. Lost in the inventiveness of the film and great set pieces including a giant squid attack are two great performances. Mason is the perfect Nemo, taut and private, clothed in dark fabric that counters the Technicolor dreamboat that is the beaming red-and-white-stripe-shirted Kirk Douglas as the heroic Ned Land. The film works as peerless family adventure nearly half a century later. [+]

Baby Van Gogh is from the award-winning infant-developmental media company Baby Einstein, whose goal and philosophy is the satisfaction of a child's curiosity through sight and sound. In the main Theatre section of this disc you'll find lots of simple shapes, primary colours and favourite toys passing across the screen. Unlike the simpler earlier releases, this is focused on the works of Vincent Van Gogh, who is here represented by a blue sock puppet! To begin with the video seems like something of a nature documentary with flowers in bloom and animals on the move, before we're taken through the colours of the rainbow with sections devoted to the individual colours. For example in Yellow, there are toy chicks, sunflowers, lemons and children playing in yellow paper shavings. All the while, The Baby Einstein Music Box Orchestra play us music from Van Gogh's era such as The Blue Danube Waltz, The William Tell Overture, Swan Lake and Flight of the Bumble Bee. This is a slight advancement in expectation of your child from the more basic initial releases but has a Video Tutorial to help the parent understand how it all works. On the DVD: Baby Van Gogh is the name of the feature itself, but from the Main Menu you can enter a Concert Hall to replay the musical cues from the main show. There's also an Art Exhibit of each of the featured Van Gogh paintings, a Resources section with the aforementioned Video Tutorial and a Toy Chest crediting all the toys used, just in case a certain someone wants one of their own. -Paul Tonks.

Lush production design and sparkling special effects make The Haunted Mansion pretty to look at. Terence Stamp, as a malevolent ghost of a butler, provides a suitable air of menace as he dematerialises to and fro. Marsha Thomason is lovely as a real estate agent hired to sell a haunted mansion, but in truth the ghostly owner of the mansion believes she is the reincarnation of his lost love. Wallace Shawn and Dina Waters make a modestly amusing comic pair as a ghostly husband and wife who bustle about. Jennifer Tilly, as a green disembodied head in a crystal ball, glitters appropriately. The movie also features endless clichés, futile attempts at humour, and Eddie Murphy. If you're looking for a movie based on a Disneyland ride, try the very clever Pirates of the Caribbean instead. -Bret Fetzer.

In the wonderfully entertaining Freaky Friday, teenager Anna (Lindsay Lohan) and her fortysomething psychiatrist mum Tess (Jamie Lee Curtis) have sunk into a rut of frustrated bickering-until a magic spell causes them to switch bodies. Suddenly Tess finds herself faced with petty teachers, vicious rivals and a hunky boy, while Anna has to cope with her mother's neurotic patients as well as her befuddled fiancé (Mark Harmon), who doesn't understand why his bride-to-be is suddenly recoiling from his embrace on the eve of their wedding. Both Lohan and Curtis turn in deft, delightful performances, with Curtis showing a surprising flair for physical comedy. The movie even manages to explore serious issues about fractured families, new parents and adolescent sexuality with honesty and empathy-and without making the story stop dead in its tracks. This 2003 remake of the 1977 original is a mother-daughter film that fathers and sons can enjoy just as much. -Bret Fetzer.

Duchess and her three kittens are enjoying the high life with their devoted human mistress until the wicked butler Edgar, with his eyes on a big inheritance, decides to dope them and get them out of the picture. How can these fragile creatures cope in the unfamiliar countryside and the meaner streets of Paris? Only by meeting the irrepressible alley cat O'Malley, a rough diamond with romance in his heart. After they get a taste of the wide dangerous world, he guides them home, and Edgar gets his just desserts at the wrong end of a horse. As always, it's really the voices rather than the animation that are the heart of the Disney magic: Phil Harris is brilliant as O'Malley, Eva Gabor as Duchess is. well. Eva Gabor; but perhaps the most memorable turns are by Pat Buttram and George Lindsay, who turn the old hounds Napoleon and Lafayette into a couple of bumbling Southern-fried rednecks. [+]

A thoroughly engaging fairy tale that's family friendly without being condescending, The Princess Diaries is your basic Cinderella makeover story given a fresh, affectionate twist courtesy of a game, energetic cast and a screenplay that skirts schmaltz in favour of gentle, effective comedy. Mia Thermopolis (Anne Hathaway) is a frizzy-haired, glasses-wearing 15-year-old girl whose two highest ambitions are to become invisible and to get a few smooches from the slickly attractive school heartthrob. As a girl who can't stand being the centre of attention so much that she throws up during debate class, she's stunned and horrified when her coolly continental grandmother(Julie Andrews) shows up and informs her that she's the crown princess of the European principality Genovia. Soon enough, Mia has to undertake "princess lessons" (and a makeover) from her queenly grandmother, and eventually she blossoms into a confident, radiant girl despite the worries and pressure that her newfound status brings. What makes The Princess Diaries work is director Garry Marshall's guileless, irony-free approach to the material (based on Meg Cabot's novel). In comparison to most sarcastic, ultra-hip teen comedies, The Princess Diaries is refreshingly and enjoyably square, content to win you over on charm alone and not a slick bag of tricks. Hathaway is a charismatic, appealing role model with a sharp sense of comic timing, and Andrews-who came to stardom as the object of a makeover supreme in My Fair Lady on Broadway-is at her regal best, whether teaching Mia the proper royal wave or learning how to eat a corndog. Both leading ladies are complemented by a finely tuned cast, including Hector Elizondo as Genovia's head of security (and romantic counterpart to Andrews), Heather Matarazzo as Mia's best pal, and Robert Schwartzman as the good guy who ultimately wins Mia's heart. All in all, this is a royal pleasure. -Mark Englehart, Amazon. [+]