From an atom bomb on the Eiffel Tower to an epic battle amid the skyscrapers of Metropolis (New York) the action and special effects are superb, the characters portrayed with verve and the story delivered with just the right amount of seriousness. A rousing entertainment very nearly as fine as its predecessor, the wirework battles paved the way for Hong Kong's seminal Zu: Warriors of the Magic Mountain (1983) and ultimately The Matrix (1999). On the DVD: Superman is presented in an extended director's cut which adds eight minutes to the theatrical original. The restored material is so artfully integrated many viewers may not even notice, but it would have been nice to at least have the opportunity to watch the original via seamless branching. The sound has been remixed into extraordinarily powerful Dolby Digital 5. 1-the superb main title sequence is worth the price alone-and the anamorphically enhanced 2. 35:1 image is, except for some unavoidably grainy effects shots, pristine. The commentary by Richard Donner and writer Tom Mankiewicz reveals more about the background than all but the most dedicated fan will ever need to know, while film music aficionados will revel in the opportunity to listen to John Williams' score isolated in Dolby Digital 5. 1. On the second side of the disc are a eight alternate John Williams music cues, a selection of deleted scenes and the screen tests of a variety of would-be Lois Lanes, introduced and with optional commentary by casting director Lynn Stalmaster. These are fascinating, and show how right for the part Margot Kidder really was. A DVD-ROM only feature presents the storyboards plus various Web features, while the real highlight is a 90-minute documentary divided into three sections covering pre-production, filming and special effects. The picture quality on all the extras is very good indeed. An enthralling package, DVD doesn't get much better than this. In contrast to the fantastic Superman DVD the Superman II disc is a bare-bones release with the original trailer being the only extra. The anamorphically enhanced 2. 35:1 image is absolutely first-rate, but if Superman can be presented in Dolby Digital 5. 1 sound with an isolated score there is absolutely no excuse for the sequel being offered in lacklustre stereo. -Gary S Dalkin.