But it overrides its problems with ease, to emerge as a compelling, highly enjoyable family film, which will leave you salivating for the Christmas 2008 release of movie number six in the series. -Simon Brew.

-Simon Brew.

But when their litter of dalamatian puppies is dognapped by the evil Cruella De Vil's cronies, the pair must spring into action to save their offspring before Cruella gets herself the new coat that she desires. But while Pongo and Perdita may be the pair you end up rooting for, the undoubted star of 101 Dalmatians is Cruella De Vil. A wonderfully twisted, genuinely nasty villainess, she's an astounding creation and adds a real menace to the film. That said, it's not a downbeat or scary tale: toe-tapping musical numbers, plenty of imagination and a good few chuckles make up the rest of the ingredients, and rarely have they all come together quite so well as they do here. Retold by Disney in live action form in 1996, it's nonetheless its animated take on 101 Dalmatians that remains the definitive filmed version. And now packed into a special collectors' DVD set, there's never been a better reason to treat your family to a copy. Unmissable, and a reminder of why Disney's reputation in this field is quite so towering. -Simon Brew.

Moreover, director Michael Bay is smart enough to realise that appealing to kids doesn't mean pandering to them-the cutest robot on screen is a manic little psychotic killer with the apt name Frenzy. The humans in the film, meanwhile, keep the film grounded, whilst never detracting from the real robot stars. Unlike The Matrix trilogy, which tried to be too clever, or The Lord of the Rings films, which were too clever, Transformers is probably the best science fiction epic since the original Star Wars trilogy. -Robert Burrow.

-Mark Walker.

-Doug Thomas.

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Narnia is, of course, a Christian allegory and the symbology is definitely there (as it should be, otherwise it wouldn't be the story Lewis wrote), but audiences aren't knocked over the head with it, and in the hands of another director it could easily have become pedantic. The focus is squarely on the children and their adventures. The four young actors are respectable in their roles, especially considering the size of the project put on their shoulders, but it's the young Georgie Henley as the curious Lucy who stands out. This isn't a film that wildly succeeds, and in the long run it won't have the same impact as the Harry Potter franchise, but it is well done, and kids will get swept up in the adventure. Note: Narnia does contain battle scenes that some parents may consider too violent for younger children. -Dan Vancini.

The animated Parrs look and act a bit like the actors portraying them, Craig T. Nelson and Holly Hunter. Samuel L. Jackson and Jason Lee also have a grand old time as, respectively, superhero Frozone and bad guy Syndrome. Nearly stealing the show is Bird himself, voicing the eccentric designer of superhero outfits ("No capes!"), Edna Mode. Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing. The Presentation This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5. 1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2. 39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame. The Extras The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short). Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee. " Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the! animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation. There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs-daughter Violet-and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? -Doug Thomas.