The second disc is organised by 20-minute-ish "journeys" tackling the elements of story, music and so on, including good background on the awkward Shakespearean origins at Disney where it was referred as "Bamlet". The most interesting journey follows the landmark stage production, and the kids should be transfixed by shots of the real African wildlife in the animal journey. Three deleted segments are real curios, including an opening lyric for "Hakuna Matata". Most set-top DVD games are usually pretty thin (DVD-ROM is where it's at), but the Safari game is an exception-the kids should love the roaring animals (in 5. 1 Surround, no less). One serious demerit is the needless and complicated second navigation system that is listed by continent but just shows the same features reordered. -Doug Thomas.

-Doug Thomas.

-Doug Thomas, Amazon. com.

The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film-the adrenaline-infused pod race through the Tatooine desert-makes the chariot race in Ben-Hur look like a Sunday stroll through the park. Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim) and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Qui-Gon and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over sceptics. Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest. " Indeed! -Tod Nelson George Lucas transports audiences back to the future with Star Wars: Episode I, The Phantom Menace, the first instalment of a prequel trilogy in which the director imagines the foundation for the entire six-part saga. Reflecting the symbolic and mythological bases of at least five story arcs, The Phantom Menace wields a newly emerged, youthful vibrancy courtesy of Lucas' invigorating return to the director's chair and his healthy respect for the emotional sources of fantasy. Despite receiving a storm of adverse criticism (notably for Jar Jar Binks) Lucas continually fascinates with his ability to place his characters-some new, some old, some CGI-in the same dramatic situations posed in the original trilogy: whether it be the juxtaposition of primitives with technologically advanced societies or the timeless battle between good and evil, the very familiarity of these recurring scenarios and rhythms galvanises the viewer. Of course, the state-of-the-art visual effects contribute mightily to the final impact. Much has been written about the kinetic Pod Race sequence (compared favourably with the chariot race in Ben Hur) and the War and Peace-style military battles, but even these events are upstaged by the new planetary vistas: consider the Romanesque grandeur of Naboo, the underwater city of Otoh Gunga illuminated by Art Nouveau lamps, the decadent brio of Tatooine, or the dizzying skyscrapers of the city planet Coruscant (imagine Blade Runner in daylight). Despite the beauty of his iridescent images, Lucas exercises discipline, cutting fast within frames filled with rich detail and activity. As a result, The Phantom Menace lends itself to repeated viewings. On the DVD: This spectacular two-disc DVD set was certainly worth the wait. Simply put, this is the most comprehensive packaging of supplementary materials so far assembled for DVD. Most importantly, Lucas film offers an anamorphic, 2. 35:1 film transfer and a highly active Dolby 5. 1 audio mix. Disc 1 includes an insightful commentary with Lucas-his first for DVD-and other key personnel, making for a great tour. The bulk of extra treasures can be found on Disc 2, including seven deleted scenes completed just for this set that possess the same quality as the film; in fact, some moments (the "Air Bus Taxi" and "Pod Race Grid" sequences) are so good that Lucas reincorporated them into the film proper. Viewers can also enjoy no less than 12 Web documentaries, five informative featurettes, the popular John Williams music video "Duel of the Fates" and numerous galleries of stills, trailers and television spots. Better yet, Lucas premieres "The Beginning," a 66-minute documentary edited from hundreds of hours of behind-the-scenes footage. This is not your standard-issue studio documentary, instead "The Beginning" is an Oscar-worthy, cinema verityé-style exploration of the creative process behind every aspect of the film's production. One of the most memorable moments involves a late-day visit to the set by Steven Spielberg: watching Lucas and Spielberg behave like kids in a candy store is one more reminder why the Star Wars saga remains enduringly popular. -Kevin Mulhall.

The second disc is organised by 20-minute-ish "journeys" tackling the elements of story, music and so on, including good background on the awkward Shakespearean origins at Disney where it was referred as "Bamlet". The most interesting journey follows the landmark stage production, and the kids should be transfixed by shots of the real African wildlife in the animal journey. Three deleted segments are real curios, including an opening lyric for "Hakuna Matata". Most set-top DVD games are usually pretty thin (DVD-ROM is where it's at), but the Safari game is an exception-the kids should love the roaring animals (in 5. 1 Surround, no less). One serious demerit is the needless and complicated second navigation system that is listed by continent but just shows the same features reordered. -Doug Thomas.