Review, buy Ages 5-8: Enchanted [2007], Peter Pan (2 Disc Special Edition) [1953], The Chronicles of Narnia: Prince Caspian (2 Disc Special Edition) [2008], WALL-E [Blu-ray] [2008], National Treasure 2 - Book Of Secrets [2007], The Muppet Christmas Carol [1992], Tinker Bell [2008], Sleeping Beauty (50th Anniversary Deluxe Edition) [1958], High School Musical Encore/ High School Musical 2 (Duo Pack) [2006], Aladdin (Musical Masterpiece Edition) [1992], The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe [2005], Dumbo (Special Edition) [1941], Barbie - Barbie In A Christmas Carol [2008], Barbie and the Diamond Castle [2008], The Aristocats Special Edition [1970], Robin Hood [1973], Ratatouille [2007], Mary Poppins (2 Disc 40th Anniversary Special Edition), 101 Dalmatians Platinum Edition [1961], Camp Rock [2008]

If you're looking for signs that the modern-day Disney has lost neither its touch nor its savvy nature, then there's evidence in abundance in the smart modern-day fairy tale Enchanted. Bookended by the kind of old-style animation the studio is rightly famed for, the main, live action segment of the film finds Amy Adams' Giselle-an archetypal Disney princess in pretty much every sense-dropped slap bang into the middle of modern day New York. What follows is ingenious fun, as Giselle walks round very much as a fish out of water, followed quickly by James Marsden's prince who attempts to come to the rescue. Thing is, modern day New York and old style princesses don't really mix, and Enchanted studiously mines the comedy of the scenario, thanks to a smart and witty script. What also lifts Enchanted though are the delightful tips of the hat to classics of Disney old. And we're not just talking the show-stopping numbers: there are references to the likes of Beauty and the Beast, Snow White and Sleeping Beauty to be found here, and a star-making performance from Adams powering the whole film forward. One of the very best family movies of 2007, Enchanted does occasionally stumble through the odd twee moment (and it could really use a villain with more screen time than Susan Sarandon's wicked stepmother gets), but that can't hide the fact that it's terrific fun, lavishly made and, at its best, quite brilliant. A modern day family classic, and great to see Disney once again delivering the kind of entertainment it excels at. -Simon Brew.

Peter Pan has a special place in the realm of classic animated Disney films: it instills an element of childlike wonder. The 1953 version of James M. Barrie's story is colourfully told and keeps on the straight and narrow of the book. Barrie's wondrous focus on child's play is the key to its longevity: kids who don't grow up, shadows that run away from their owners, pirates, a fairy, and the magic ability to fly. In short, you can't help wishing the adventure would happen to you. Fueled by a few memorable songs (the stunner being "You Can Fly") and the strong impression of the pixie fairy Tinkerbell and the goofy Captain Hook, Disney's version of this story neither supplants nor lessens the Broadway version with Mary Martin that was produced for television the same decade. Unlike some classics, Peter Pan never ages along the way. -Doug Thomas.

More exciting than The Lion, the Witch, and the Wardrobe, The Chronicles of Narnia: Prince Caspian continues the movie franchise based on C. S. Lewis' classic fantasy books. The movie picks up where the first left off. sort of. It's been a year since the Pevensie children-Peter (William Moseley), Susan (Anna Popplewell), Edmund (Skandar Keynes), and Lucy (Georgie Henley)-returned to England from Narnia, and they've just about resigned themselves to living their ordinary lives. But just like that, they're once again transported to a fantastical land, but one with a long-abandoned castle. It turns out that they are in Narnia again-and they themselves lived in that castle, but hundreds of years ago in Narnia time. [+]

They've been summoned back to help Prince Caspian (Stardust's Ben Barnes, resembling a young, cultured Keanu Reeves), the rightful heir to the throne who's become the target of his power-hungry uncle, King Miraz (Sergio Castellitto). And he's not the only one threatened: Miraz's people, the Telmarines, have pushed all the Narnians-the talking animals, the centaurs and other beasts, the walking trees-to the brink of extinction. Despite some alpha-male bickering, Peter and Caspian agree to fight Miraz alongside the remaining Narnians, including the dwarf Trumpkin (Peter Dinklage) and the swashbuckling mouse Reepicheep (voiced by Eddie Izzard). (Also appearing is Warwick Davis, who was in Willow and the 1989 BBC version of Prince Caspian. ) But of course they most of all miss the noble lion, Aslan, who would have never let this happen to Narnia if he hadn't disappeared. Prince Caspian is epic, evoking memories of Peter Jackson's Lord of the Rings films. (Some of the battle elements may seem too familiar, but they were in Lewis's book. ) And it's appropriate for kids (Reepicheep could have come out of a Shrek movie), though the tone is dark and there is a lot of death, albeit bloodless. After two successful films, Disney and Walden Media's franchise has proved successful enough that many of the characters are scheduled to return in The Voyage of the Dawn Treader. -David Horiuchi, Amazon. com.

Pixar genius reigns in this funny romantic comedy, which stars a robot who says absolutely nothing for a full 25 minutes yet somehow completely transfixes and endears himself to the audience within the first few minutes of the film. As the last robot left on earth, Wall-E (voiced by Ben Burtt) is one small robot-with a big, big heart-who holds the future of Earth and mankind squarely in the palm of his metal hand. He's outlasted all the "Waste Allocation Load Lifter Earth-Class" robots that were assigned some 700 years ago to clean up the environmental mess that man made of earth while man vacationed aboard the luxury spaceship Axiom. Wall-E has dutifully gone about his job compacting trash, the extreme solitude broken only by his pet cockroach, but he's developed some oddly human habits and ideas. When the Axiom sends its regularly scheduled robotic EVE probe (Elissa Knight) to earth, Wall-E is instantly smitten and proceeds to try to impress EVE with his collection of human memorabilia. EVE's directive compels her to bring Wall-E's newly collected plant sprout to the captain of the Axiom and Wall-E follows in hot pursuit. Suddenly, the human world is turned upside down and the Captain (Jeff Garlin) joins forces with Wall-E and a cast of other misfit robots to lead the now lethargic people back home to earth. Wall-E is a great family film with the most impressive aspect being the depth of emotion conveyed by a simple robot-a machine typically considered devoid of emotion, but made so absolutely touching by the magic of Pixar animation. Also well-worth admiring are the sweeping views from space, the creative yet disturbing vision of what strange luxuries a future space vacation might offer, and the innovative use of trash in a future cityscape. Underneath the slapstick comedy and touching love story is a poignant message about the folly of human greed and its potential effects on earth and the entire human race. [+]

Less engrossing than its 2004 predecessor National Treasure, Jon Turteltaub's busy sequel National Treasure 2: Book of Secrets is nevertheless a colourful and witty adventure, another race against overwhelming odds for the answer to a historical riddle. Ben Gates (Nicolas Cage), the treasure hunter who feverishly sought, in the first film, the whereabouts of a war chest hidden by America's forefathers, is now charged with protecting family honour. When a rival (Ed Harris) offers alleged proof that Gates' ancestor, Thomas Gates, was not a Civil War-era hero but a participant in the assassination of Abraham Lincoln, Ben and his father (Jon Voight) and crew (Justin Bartha, Diane Kruger) hopscotch through Paris, London, Washington DC, and South Dakota to gather evidence refuting the claim. The film is most fun when the hunt, as in National Treasure, squeezes Ben into such impossible situations as examining twin desks in the queen's chambers in Buckingham Palace and the White House's Oval Office, or kidnapping an American president (Bruce Greenwood) for a few minutes of frank talk. Helen Mirren, the previous year's Oscar winner for Best Actress, wisely joins the cast of a likely hit film as Ben's archaeologist mother, long-estranged from Voight's character but as feisty as the rest of the family. Returning director Turteltaub takes excellent advantage of his colorful backdrops in European capitals and the always-eerie Mount Rushmore, and oversees some wildly imaginative sets for this dramedy's feverish third act in an audacious and completely unexpected, legendary setting. If National Treasure 2: Book of Secrets doesn't feel quite as crisp and unique as its predecessor, it is still ingenious and wry enough to laugh a bit at itself. -Tom Keogh.

Disney's 1959 Sleeping Beauty was the studio's most ambitious effort to date, a lavish spectacle boasting a gorgeous waltz-filled score adapted from the music of Tchaikovsky. In the 14th century, the malevolent Maleficent (not dissimilar to the wicked queen in Disney's Snow White and the Seven Dwarfs) taunts a king that his infant Aurora will fatally prick her finger on a spinning wheel before sundown on her sixteenth birthday. This, of course, would deny her a happily-ever-after with her true love. Fortunately, some bubbly, bumbling fairies named Flora, Fauna and Merryweather are on hand to assist. It's not really all that much about the title character-how interesting can someone in the middle of a long nap be, anyway? Instead, those fairies carry the day, as well as, of course, good Prince Phillip, whose battle with the malevolent Maleficent in the guise of a dragon has been co-opted by any number of animated films since. See it in its original glory here, alongside Maleficent's castle, which, filled with warthogs and demonic imps in a macabre dance celebrating their evil ways, manages a certain creepy grandeur. -David Kronke, Amazon. com.

High School Musical (Encore Edition) The Disney Channel Original Movie High School Musical is a combination of backstage action and Grease without the unwholesome habits. It's a smash hit with tween audiences (ages 6 to 10), but appealing for all ages. At a New Year's Eve party, Troy (Zac Efron) has a chance meeting with Gabriella (Vanessa Anne Hudgens) when they share a karaoke song. Lo and behold, when school resumes, they discover that Gabriella has just transferred to Troy's East High School, a campus divided into tight cliques of jocks, cheerleaders, brainiacs, and skater dudes. Eager to recapture the magic they'd discovered during karaoke, Troy and Gabriella consider auditioning for the school's upcoming musical, much to the dismay of the school's frost queen/theatre goddess, Sharpay (Ashley Tisdale). Problem is, Troy is also the star of the basketball team and Gabrielle is being recruited to compete in the Scholastic Decathlon. Will they give up their cliques to start something new, or will they do as the show's first big anthem urges and "Stick to the Status Quo"? Well, this is a Disney movie, so maybe the sacrifices won't be that hard, and even the hints of romance are mild. The bestselling soundtrack is catchy in that Disney-pop kind of way, mixing in a dash of hip-hop ("Getcha Head in the Game," punctuated by squeaky basketball shoes and other sound effects), salsa ("Bop to the Top"), and the endearingly hammy ("What I've Been Looking For" performed by Sharpay and her brother, Ryan, played by Lucas Grabeel). It's not hard to imagine High School Musical becoming a semi-staple for high school groups to perform themselves. -David Horiuchi High School Musical 2 What time is it? Time for High School Musical 2, the sequel to the Disney Channel smash. [+]

School is out, and Troy (Zac Efron) and Gabriella (Vanessa Hudgens) are looking forward to a summer to remember, but Troy also needs to earn money so he can go to college. As it turns out, Sharpay (Ashley Tisdale), the self-proclaimed primo girl of East High, has her eye set on primo-boy Troy, and gets him a job at the country club her parents own. It looks great for Troy when Gabriella and the rest of the Wildcats are hired also, but when he gets preferential treatment from the club manager (Mark Taylor) and others, it puts all of his relationships in hot water. Everyone's back from the original movie, including Zac's buddy Chad (Corbin Bleu), Sharpay's brother Ryan (Lucas Grabeel), and Gabriella's friend Taylor (Monique Coleman). And the songs on the hit soundtrack often parallel the originals and are just as catchy: the Troy-Gabriella duet ("You Are the Music in Me," which is later Sharpay-ized into a rock version), the sports-flavored hip-hop number ("I Don't Dance," but this time on the baseball diamond instead of the basketball court), the Gabriella lament ("Gotta Go My Own Way"), the climactic stage duet ("Everyday"), and the mass-ensemble closer ("All for One"). But the sequel doesn't just stick to the status quo. Other songs include a flashy opener ("What Time Is It"), Sharpay's poolside feature ("Fabulous"), a percussive ensemble number ("Work This Out"), and Zac's solo ("Bet On It"), and the dances are even bigger this time around, relentlessly high-energy and often spectacular. In addition, the "let's put on a show" angle is only a subplot and the romance is now front and center-which means High School Musical has lost a bit of its innocence. But it's still wholesome viewing for tweens of all ages. -David Horiuchi.

Disney's 1992 animated feature is a triumph of wit and skill. The high-tech artwork and graphics look great, the characters are strong, the familiar story is nicely augmented with an interesting villain (Jafar, voiced by Jonathan Freeman) and there's an incredible hook atop the whole thing: Robin Williams's frantically hilarious vocal performance as Aladdin's genie. Even if one isn't particularly moved by the love story between the title character (Scott Weinger) and his girlfriend Jasmine (Linda Larkin), you can easily get lost in Williams's improvisational energy and the equally entertaining performances of Freeman and Gilbert Gottfried (as Jafar's parrot). -Tom Keogh.

C. S. Lewis's classic novel The Lion, the Witch, and the Wardrobe makes an ambitious and long-awaited leap to the screen in this modern adaptation. It's a CGI-created world laden with all the special effects and visual wizardry modern filmmaking technology can conjure, which is fine so long as the film stays true to the story that Lewis wrote. And while this film is not a literal translation-it really wants to be so much more than just a kids' movie-for the most part it is faithful enough to the story, and whatever faults it has are happily faults of overreaching, and not of holding back. The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe tells the story of the four Pevensie children, Lucy, Peter, Edmund, and Susan, and their adventures in the mystical world of Narnia. Sent to the British countryside for their own safety during the blitz of World War II, they discover an entryway into a mystical world through an old wardrobe. Narnia is inhabited by mythical, anthropomorphic creatures suffering under the hundred-year rule of the cruel White Witch (Tilda Swinton, in a standout role). The arrival of the children gives the creatures of Narnia hope for liberation, and all are dragged into the inevitable conflict between evil (the Witch) and good (Aslan the Lion, the Messiah figure, regally voiced by Liam Neeson). Director (and co-screenwriter) Andrew Adamson, a veteran of the Shrek franchise, knows his way around a fantasy-based adventure story, and he wisely keeps the story moving when it could easily become bogged down and tiresome. [+]

Narnia is, of course, a Christian allegory and the symbology is definitely there (as it should be, otherwise it wouldn't be the story Lewis wrote), but audiences aren't knocked over the head with it, and in the hands of another director it could easily have become pedantic. The focus is squarely on the children and their adventures. The four young actors are respectable in their roles, especially considering the size of the project put on their shoulders, but it's the young Georgie Henley as the curious Lucy who stands out. This isn't a film that wildly succeeds, and in the long run it won't have the same impact as the Harry Potter franchise, but it is well done, and kids will get swept up in the adventure. Note: Narnia does contain battle scenes that some parents may consider too violent for younger children. -Dan Vancini.

Often forgotten about in the Disney back catalogue, The Aristocats is actually a fun, lively feline adventure, with plenty of zest and some terrific tunes too. Arriving in the wake of The Jungle Book, it's not vintage Disney, but it still sets itself a high standard. The Aristocats is set in France in 1910, and tells the tale of a high society cat and her trio of kittens who are dumped into the backstreets of Paris by an angry Butler when they inherit a fortune from their owner. Here, they're soon befriended by Thomas O'Malley (voiced by the unforgettable Phil Harris, who also lent his tones to Baloo in The Jungle Book) and a wild cast of characters, and it's as much a cue as is needed for some jazzy tunes, fast-paced animation and a fun family adventure. As the last film to have been supervised by Walt Disney before his death, The Aristocats inevitably has a significant place in the back catalogue at Disney HQ. Yet many still overlook it, and that's a real shame. There are well-realised Parisian locations, a good few chuckles, and a genuinely strong soundtrack that'll stick in your head long after the credits have rolled. It's good, too, to see Disney finally give the film the special edition it richly deserves. -Simon Brew.

As good a film as Pixar has ever put out, Ratatouille is a frantic, innovative movie, boasting some of the finest quality animation ever put on the screen. Ratatouille tells the story of wannabe-chef Remy The Rat, who becomes drawn into the mantra of legendary cook Gusteau, that anyone can cook. The deceased Gusteau's ghostly image appears to Remy, and guides him to his restaurant, whose standards have been slipping since his death. Remy, through the manipulation of a lowly restaurant worker called Linguini, soon starts secretly cooking the food, and this unusual set up proves to be a trove of treasures that Pixar carefully picks through. Ratatouille's trick is to tie its cutting edge animation techniques to old-school essentials. At times harking back to the frenetic style you'd expect of Chuck Jones, it threads an original narrative through its story, which itself is packed with memorable characters (none more so than Peter O'Toole's superbly-voiced restaurant critic). It perhaps runs a little too long, but it's so well-written and so lavishly entertaining that it's a churlish complaint to have. For in an era of cynically-produced family movies, Ratatouille is really something special. With an appeal that spreads across generations, and a quality that puts it right up there with Pixar's finest, it's an outstanding piece of cinema, and one set to be enjoyed for many, many years. Unmissable. [+]

There is only one word that comes close to accurately describing the enchanting Mary Poppins, and that term was coined by the movie itself: supercalifragilisticexpialidocious! Even at 2 hours and 20 minutes, Disney's pioneering mixture of live action and animation (based on the books by P. L. Travers) still holds kids spellbound. Julie Andrews won an Oscar as the world's most magically idealized nanny ("practically perfect in every way," and complete with lighter-than-air umbrella), and Dick Van Dyke is her clownishly charming beau, Bert the chimney sweep. The songs are also terrific, ranging from bright and cheery ("A Spoonful of Sugar") to dark and cheery (the Oscar-winning "Chim-Chim Cheree") to touchingly melancholy ("Feed the Birds"). Many consider Mary Poppins to be the crowning achievement of Walt Disney's career-and it was the only one of his features to be nominated for a best picture Academy Award until Beauty and the Beast in 1991. -Jim Emerson A pioneering film within Animation, Musicals and Fantasy, Walt Disney's Mary Poppins is possibly one of the warmest and dearest films ever made. Based on a story by PL Travers we find Julie Andrews on fine form in her debut lead role (for which she would win the "Best Actress" Oscar). She is practically perfectly teamed with Dick Van Dyke as the lovable chimney sweep Burt, whose cockney accent is endearingly inaccurate. Along with a fine supporting cast, where even the child actors hold their own without appearing like stage school wannabes, Poppins and her crew take you on a magical ride through chalk pictures, the roof tops of London and show you that laughter is not always the best medicine (even with a spoon full of sugar) when you can't get down. [+]

In total Mary Poppins clocked up five Academy Awards including Best Song and Best Visual Effects and has made it into the staple diet of family viewing across the world. On the DVD: Mary Poppins has certainly cleaned up a treat, restoring her to 1. 85:1 widescreen glory and 5. 1 Dolby digital sound-which is guaranteed to be music to your ears. The special features are "supercalifragilisticexpialidocious" with the "Sing Along with the Movie" subtitles for all your favourite songs when they appear in the movie and the "I Love to Laugh" game offering Uncle Albert flying high in his parlour once more. "The Movie Magic of Mary Poppins" lets you look behind the scenes at how the magic was done and is fun, informative and easily understandable-pity the same cannot be said about the narrator. "Hollywood goes to a World Premiere" is a warm and amusing reminder about how premieres and stars used to be in 1964. The only disappointment is the lack of commentary-Dick Van Dyke would surely have offered a gem of a cockney voice-over! -Nikki Disney.

Back in 1961, Walt Disney got a little hip with 101 Dalmatians, making use of that flat Saturday morning cartoon style that had become so popular. The result is a kitschy change in animation and story. Pongo and Perdita are two lonely Dalmatians who meet in a London park and arrange for their pet humans to marry so they can live together and raise a family. They become proud parents of 15 pups, who are stolen by the dastardly Cruella De Vil, who wants to make a fur coat out of them. Cruella has become the most popular villain in all of Disney-she is flamboyantly nasty and lots of fun. But it is the Dalmatians who shine in this endearing classic, particularly those precocious pups. Telling the story from the dogs' point of view is a clever conceit, a fundamental flaw of Disney's 1996 live-action remake. -Bill Desowitz Disney may throw around the word 'classic' with a little too much abandon when it comes to some of its animated releases, but its take on 101 Dalmatians is very much the real deal. With lively songs, a terrifically-realised story and one of its very best villains, it remains a towering achievement, over four decades since it first appeared. The story of 101 Dalmatians starts with the two heroes of the tale, Pongo and Perdita. [+]

But when their litter of dalamatian puppies is dognapped by the evil Cruella De Vil's cronies, the pair must spring into action to save their offspring before Cruella gets herself the new coat that she desires. But while Pongo and Perdita may be the pair you end up rooting for, the undoubted star of 101 Dalmatians is Cruella De Vil. A wonderfully twisted, genuinely nasty villainess, she's an astounding creation and adds a real menace to the film. That said, it's not a downbeat or scary tale: toe-tapping musical numbers, plenty of imagination and a good few chuckles make up the rest of the ingredients, and rarely have they all come together quite so well as they do here. Retold by Disney in live action form in 1996, it's nonetheless its animated take on 101 Dalmatians that remains the definitive filmed version. And now packed into a special collectors' DVD set, there's never been a better reason to treat your family to a copy. Unmissable, and a reminder of why Disney's reputation in this field is quite so towering. -Simon Brew.

Camp Rock is a Disney Channel original movie about a rockin' teen summer camp that's highly appealing to tweenies and young teens despite the movie's failure to favourably compare with truly great Disney Channel movies like High School Musical. Joe Jonas (of the Jonas Brothers stars as Shane Gray, a member of the rock band Connect 3, who is compelled to serve as an instructor at Camp Rock in order to counteract his increasingly negative public image. Tess Tyler (Meaghan Jette Martin) is the camp diva whose self-absorption defies description, Caitlyn (Alyson Stoner) is a past Tess groupie who's now ostracised from the popular kids at camp, and Mitchie (Demi Lovato) is a camp newcomer whose mother is the camp cook. Caitlyn initially befriends Mitchie, but the friendship wanes when Mitchie makes up an elaborate story about her family to get accepted into Tess's exclusive clique. As Mitchie struggles to maintain her façade around camp, Shane begins to reform his bad-boy ways and find his own personal voice and he and Mitchie become friends-unfortunately, their new relationship is based partially on Mitchie's lies. In the end, Mitchie's deception is exposed as is Tess' true villainy and the perfect summer camp experience threatens to turn into the worst summer ever for everyone involved. Camp Rock is infused with lots of energy, fun choreography, and a ton of good, if not particularly memorable, music. Add in the cast of generally unlikable characters with extreme characteristics whose changes of heart at the end of the film are not particularly believable, and Disney's got an entertaining film for tweenies and teens that adults might just as well skip. -Tami Horiuchi.

Review Enchanted [2007] / Walt Disney Studios Home Entertainment:

Review Peter Pan (2 Disc Special Edition) [1953] / Peter Pan:

Review The Chronicles of Narnia: Prince Caspian (2 Disc Special Edition) [2008] / Disney:

Review WALL-E [Blu-ray] [2008] / Walt Disney Studios Home Entertainm:

Review National Treasure 2 - Book Of Secrets [2007] / Walt Disney:

Review The Muppet Christmas Carol [1992] / Walt Disney Home Video:

Review Tinker Bell [2008] / Disney:

Review Sleeping Beauty (50th Anniversary Deluxe Edition) [1958] / Disney:

Review High School Musical Encore/ High School Musical 2 (Duo Pack) [2006] / High School Musical:

Review Aladdin (Musical Masterpiece Edition) [1992] / Walt Disney Studios Home Entertainm:

Review The Chronicles Of Narnia - The Lion, The Witch And The Wardrobe [2005] / Buena Vista Home Entertainment:

Review Dumbo (Special Edition) [1941] / Walt Disney Studios Home Entertainm:

Review Barbie - Barbie In A Christmas Carol [2008] / Universal Pictures UK:

Review Barbie and the Diamond Castle [2008] / Universal Pictures UK:

Review The Aristocats Special Edition [1970] / Walt Disney:

Review Robin Hood [1973] / Walt Disney Studios Home Entertainm:

Review Ratatouille [2007] / Walt Disney Studios Home Entertainment:

Review Mary Poppins (2 Disc 40th Anniversary Special Edition) / Buena Vista Home Entertainment:

Review 101 Dalmatians Platinum Edition [1961] / Walt Disney Studios Home Entertainm:

Review Camp Rock [2008] / Disney: