The baby-to-toddler set gets an expedition through a variety of animal habitats across the planet in this installment of the Baby Einstein series. Despite the title, there is no real biblical connection to the material other than Noah's Ark toys and a few paintings (minus Noah and family). The subtitle "Animal Expedition" is far more accurate, as the 38-minute program takes the youngsters through the African savannah, rainforest, ocean, Australian Outback, and polar regions. As with its predecessors in the series, this one focuses on a few animals in each segment with repetition through toys, puppets and nature footage. Spoken words are minimal, but percussion and classical music (Beethoven, Bizet and Mozart) are maximized. (Ages 1 to 2) -Kimberly Heinrichs.

One of Disney's less popular animated movies, for absolutely no good reason at all, because it's an excellent story, simply and expertly told. The box blurb rather confusingly compares it to Bambi, but this is a story which has rather more to do with how social conventions can divide friendships than the coming-of-age subtext which underlies the latter. The story is perhaps predictable-a fox cub and a puppy play together as friends, not realising that their places in the scheme of things dictate that they will grow up to become hunter and hunted. Of course, eventually they see the light and it all ends happily, but even so the story promotes the importance of tolerance. The master-stroke, however, is the gradually evolving realisation that the aggressive prejudices which we all stand to inherit from society are nothing more that the products of stupidity and manipulation, and should be treated with the contempt they deserve. Good stuff for kids and adults alike. Trivia buffs might like to know that this is one of the films Tim Burton worked on at Disney, his first job after graduating from college. -Roger Thomas This special 25th Anniversary edition includes the classic 1981 The Fox and the Hound movie in its entirety and an abundance of special features including a Backstage Disney featurette, two interactive hide-and-seek games, sing-along, read-along, art gallery, and two Disney shorts. The fascinating six-and-a-half minute Backstage Disney segment "Passing the Baton" emphasizes the The Fox and the Hound's place as a historical turning point in Disney animation; chronicling the process by which legendary animators Woolie Reitherman, Frank Thomas, and Ollie Johnston, three of "Disney's Nine Old Men" whose names were synonymous with Disney Animation from the Snow White era, began work on The Fox and the Hound characters and their relationships and then encouraged a whole new generation of young Disney animators including Glen Keane, Randy Cartwright, Ron Clements, and John Musker to build upon that foundation, completing the movie's animation and effectively initiating a whole new chapter in Disney animation that would later culminate in movies like Little Mermaid, Beauty and the Beast, and Aladdin. The "Passing the Baton" segment also touches upon The Fox and the Hound's underlying messages about friendship, racial prejudice, stereotyping, and bigotry. [+]

The Lion King 2 is the sequel to Disney's 1994 masterpiece. As with the Beauty and the Beast and Pocahontas sequels, most of the recognisable vocal talents return, creating a worthwhile successor to the highest-grossing animated film ever. We pick up the story as the lion king, Simba (voiced by Matthew Broderick), and Nala (Moira Kelly) have a new baby cub, a girl named Kiara (Neve Campbell). Like her father before, she seeks adventure and ends up outside the Pridelands, where lions loyal to the evil Scar (who died in the original) have lived with revenge in their hearts. The leader, Zira (a spunky turn from Suzanne Pleshette), schemes to use her son Kovu (Jason Marsden) to destroy Simba. As luck with have it, Kiara has bumped into Kovu and fallen in love. This all sounds familiar since all of Disney's straight-to-video sequels have played it very safe, nearly repeating the originals' story, tone and pace. Perhaps there were too many cooks for this production. Besides the two screenplay credits, there are eight other writers credited for additional written material. The look of the film has none of the surprise of the original but is far superior to many other animated video releases. [+]

Duchess and her three kittens are enjoying the high life with their devoted human mistress until the wicked butler Edgar, with his eyes on a big inheritance, decides to dope them and get them out of the picture. How can these fragile creatures cope in the unfamiliar countryside and the meaner streets of Paris? Only by meeting the irrepressible alley cat O'Malley, a rough diamond with romance in his heart. After they get a taste of the wide dangerous world, he guides them home, and Edgar gets his just desserts at the wrong end of a horse. As always, it's really the voices rather than the animation that are the heart of the Disney magic: Phil Harris is brilliant as O'Malley, Eva Gabor as Duchess is. well. Eva Gabor; but perhaps the most memorable turns are by Pat Buttram and George Lindsay, who turn the old hounds Napoleon and Lafayette into a couple of bumbling Southern-fried rednecks. [+]

When a Man Loves a Woman is a dumb title (not another classic pop song, please) for a very smart movie. A kind of gender-switch take on The Lost Weekend, it's about a woman (Meg Ryan) whose alcoholism almost destroys her family. That may sound like just another TV movie, but When a Man Loves a Woman is so authentic in detail and emotion, that everything about it seems fresh, urgent, and engrossing. That's because the film is grounded in the actual experience of co-writer Al Franken (assisted by Rain Man scripter Ronald Bass). Franken is best known for his affiliation with Saturday Night Live and Politically Incorrect, and as the author of Rush Limbaugh Is a Big Fat Idiot, and Other Observations. You may recall that Franken is the creator of Stuart Smalley, 12-step programmer extraordinaire. Well, if you want to know how Stuart was born, you can start here. This is no comedy, however. In fact, one of the most painful realisations comes when attractive, "good-time girl" Alice Green (Ryan) and her husband (Andy Garcia) begin to realise how much of a role alcohol played in their marriage and in bringing them together in the first place. The issues and experiences confronted in this movie go far beyond the stuff you see on daytime TV. [+]

John Lasseter and his gang of high-tech creators at Pixar create another entertainment for the ages. Like the handful of other great movie sequels, Toy Story 2 comments on why the first one was so wonderful while finding a fresh angle worthy of a new film. The craze of toy collecting becomes the focus here, as we find out Woody (voiced by Tom Hanks) is not only a beloved toy to Andy but also a rare doll from a popular 60s children's show. When a greedy collector takes Woody, Buzz Lightyear (Tim Allen) launches a rescue mission with Andy's other toys. To say more would be a crime because this is one of the most creative and smile-inducing films since, well, the first Toy Story. Although the toys look the same as in the 1994 feature, Pixar shows how much technology has advanced: the human characters look more human, backgrounds are superior, and two action sequences that book-end the film are dazzling. And it's a hoot for kids and adults. The film is packed with spoofs, easily accessible in-jokes and inspired voice casting (with newcomer Joan Cusack especially a delight as Cowgirl Jessie). But as the Pixar canon of films illustrates, the filmmakers are storytellers first. Woody's heart-tugging predicament can easily be translated into the eternal debate of living a good life versus living for forever. [+]