T. take on everything from motorcycle gangs to corporate crooks to K. I. T. T. 's own evil twin, K. A. R. R. Like any good cheese, Knight Rider has only grown more pungent with age. Decked out in alarming '80s fashions (check out that blue Members Only jacket in the pilot), earnestly spouting some of the worst dialogue in the history of television, the absurdly handsome Hasselhoff radiates the unique charisma that's made him a cult figure in Germany. In addition to the 21 episodes of the first season, Knight Rider: Season One includes a 1991 TV movie, Knight Rider 2000, that tried to launch a revamped series set in the near future (lacking the cheerful touch of creator Glen Larson, the attempt sank into oblivion) and brief interview footage (including Hasselhoff describing when he read the original script: "It was glowing in my hands. This was gold. ") It's unlikely this boxed set will appeal to anyone who didn't become a fan of the show at an impressionable age, but for those fans, Knight Rider: Season One is gold. -Bret Fetzer.

As the film progresses, Chan scales a speeding bus using an umbrella, uses cow dung as an excuse to break into some Shaolin moonwalking and transforms an urban shopping mall into a demented gymnasium (think clothes racks, escalators, and lots of plate glass displays). Chan is amazingly versatile both physically and emotionally-and he's a secure enough star-director to let his co-stars shine, too. -Grant Balfour That Jackie Chan's Hollywood output should have walked the thin line between engagingly awful and just awful should be no surprise having viewed Police Story, his breakthrough Hong Kong film. Not only starring but also directed by Chan, the film is a combination of risible plot, knockabout humour and stunning stunts-a kind of Carry On Kung Fu. The plot of the film finds itself lost in the high-octane stunts and matters so little that Chan's character is not even given another name to the actor's own. However, if you can put your critical facilities on hold, Police Story is enormous fun. The lines between good guys and bad guys are clearly drawn and most of the acting seems to be confined to running around and pointing and it's all worth it just to see the final fight sequence-a true spectacular set in a shopping mall, showing plainly why the film was dubbed "Glass Story" by the stunt teams. Perhaps this is why the film wins out so convincingly over its Hollywood counterparts. We know that it was Chan himself performing these breathtaking stunts and that he really did suffer for his art, the closing credits show him and others being carried off set to hospital on numerous occasions. Now that's what I call method acting. On The DVD: The film's basic production values are something that even DVD cannot enhance (the opening titles visibly wobble) but that only adds to the film's charm. The audio options of Cantonese, subtitled or dubbed are extremely useful, with the latter-clearly voiced by a group of out of work actors in an LA sound studio, which only serves to enhance the movie's surreal quality. Hong Kong cinema expert Bey Logan's commentary is superb-giving an insight into Chan, his movies, the Asian film industry and its lasting influence on more mainstream cinema-and is delivered with such enthusiasm (particularly during the fight sequences) that it is hard not to get swept along by it all. -Phil Udell.